MUSEO EXPERIMENTAL EL ECO, MEXICO | GONZALO LEBRIJA

Gonzalo Lebrija is part of the exhibition “El día es azul, el silencio es verde, la vida es amarilla …” (“Day is blue, silence is green, life is yellow …”) in the Experimental Museum el Eco. The acheter cialis sans ordonnance recent exhibition address the epistolar conversation between Yves Klein and Mathias Goeritz in 1960, relating Goeritz’s emotional architecture in the Eco with Klein’s monochromatic inmaterial ideas in France.

The exhibition will be on view to the public through February 18 2018.

HAMBRE. UN OBJETO HECHO POR EL HOMBRE: MAZ, MÉXICO | ASUNCIÓN MOLINOS GORDO

The Zapopan Museum of Art (MAZ) will open the solo exhibition Hunger, A Man-Made Object by Asunción Molinos Gordo. The exhibition will open on November 30, 2017.

ANOZERO'17, COÍMBRA, PORTUGAL | ALEXANDRE ESTRELA

Alexandre Estrela is part of the second edition of the Biennial Contemporary Art of Coimbra, Anozero, this year with the title Curar e Repar (Healing and Repairing) curated by Delfim Sardo and co-curated by Luiza Teixeira da Freitas. The purpose is to disseminate the remarkable cultural heritage significant integration of contemporary art culture into the daily life of the city, its citizenry and visitors. On view from November 11 until December 30 2017.

EAT ME: TRAPHOLT MUSEUM, KOLDING, DENMARK | JOHN ISAACS

John Isaacs will be taking part in the exhibition Eat Me in the Trapholt Museum of Kolding, Denmark. This exhibition is about how we understand ourselves and the world through food. Food is the supreme metaphor of our time. We use food to comment on practically anything: our social problems, our cultural habits, our identities, our understanding of nature… We use food to set boundaries, refine our sensibilities and project our visions of the future.

The exhibition is on view till May 2, 2018.

STEDELIJK MUSEUM SCHIEDAM, THE NETHERLANDS | JOHN ISAACS

John Isaacs will be taking part in the exhibition Sticky Business The Temptation of Sugar in Art, in the Stedelijk Museum Schiedam from September 16 to February 18, 2o18.

Food designer and guest curator Marije Vogelzang invited some twenty artists from this country and abroad, who shine a new light on the sugar, considerate the white poison, the major enemy of health.

FRAGILE: MAISON DES ARTS, SCHAERBEEK, BELGIUM | JORGE MÉNDEZ BLAKE

Artist Jorge Méndez Blake will be taken part in the exhibition Fragile in the Maison Des Arts of Schaerbeek, Belgium. The exhibition includes different artists approaches related to the state of matter. The clay is the common material where to buy viagra online used by the artists in all its states and shapes.

The exhibition is on view from October 7 till December 2, 2017.

FRAC FRANCHE-COMPTÉ, BESANÇON, FR | JORGE MÉNDEZ BLAKE

Artist Jorge Méndez Blake will be taking part in Montag ou la bibliothèque à venir (Montag or the library in the making) an exhibition that will happen at the FRAC with the support of Mondriaan Fundation.

The exhibition explores the links between literature and the visual arts, reflecting artists’ unflagging interest in the literary medium.
On view from October 14 till January 14, 2018.

SIN PRINCIPIO / SIN FINAL: NATIONAL UNIVERSITY OF COLOMBIA, BOGOTÁ | MATEO LÓPEZ

Sin principio / sin final is based on an antologic exhibition from Ignasi Aballí (Barcelona 1958) curated by Joao Fernandes for the Madrid Reina Sofia Museum. The exhibition composed by various works produced during the artists 10 last years of activity, as well as a set of works produced for the National University of Colombia’s art district.

To welcome that visit, the university has invited two colombian artists from posterior generations that share his approach to art: Mateo López (1978) and Bernardo Ortiz (1972); to offer dialogues and conexions that visitors will establish freely if they accept the challenge proposed by the artists to expand notions of visibility, categories of reality and values of art and its way of being concieved.

CAMBIO DE RUMBO COLECCIÓN DKV - COLECCIÓN INELCOM, MADRID | ALEXANDRE ESTRELA

Tabacalera presents a new exhibition between two https://www.cialissansordonnancefr24.com/cialis-20mg-prix/ big corporative collections of contemporary art of our country, the DKV Seguros and the INELCOM Collection. The last one presents “Le Moire” from Alexander Estrela, which articulates a speech about the human action and the natural environment, with special atention to the technological mediation.

The exhibition will be open since 28th of September til 19th of November in the hall La Principal of Tabacalera.

MCA DENVER, USA | JORGE MÉNDEZ BLAKE & JOSE DÁVILA & GONZALO LEBRIJA

Artists Jorge Méndez Blake, Jose Dávila and Gonzalo Lebrija will be taken part of the exhibition Saber Acomodar, that presents an investigation of the work carried out in studios and artisanal workshops in Jalisco. Focusing on the last 100 years of production, the works included in the exhibition showcase collaborations between artists and artisans who work and live in western Mexico. The result of these intersections is the integration of contemporary ideas and both pre-colonial techniques.

On view from 13 September till January 21, 2018.

PERPETUAL CONSTRUCTION: A DIALOGUE WITH THE HOUSE OF JEAN PROUVÉ III, CAB, BRUSSELS | JOSE DÁVILA

The upcoming exhibition at CAB departs from the climate of reconstruction that marked Post-WWII Europe; the context in which Jean Prouvé conceived his Demountable House 6×6 as a temporary refuge for people who had lost their homes during the war.
The exhibition is therefore set up as an urban construction site, drawing attention to the way we organise, control and inhabit space. Some constellations deal with the actual materials making up the concrete, modernist constructions, such as Christoph Weber, Jose Davila, Lena Verijke and Nina Canell. Perpetual Construction explores the city as a self-organizing chaotic biotope.

PINTURA CON PIES DE HORMIGÓN, BARCELONA | JOSE DÁVILA

Pintura con Pies de Hormigón (painting with concrete feet), a recent critique by journalist Ángela Molina for the newspaper EL PAÍS features Jose Dávila’s exhibition at the Blueproject Foundation of Barcelona where four recent works of the Mexican artist’s Joint Effort series are reunited. These pieces where industrial materials like glass, steel and concrete act with rawer materials like stones or marble create a subtle contrast between rigidity and fragility.

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