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Asunción Molinos Gordo
Asunción Molinos Gordo is a researcher and visual artist whose practice is deeply informed by anthropology, sociology, and cultural studies. Her work focuses on contemporary peasantry and the historical processes of cultural disruption.
Her artistic practice challenges the categories that define “innovation” within dominant contemporary discourses, exploring the various forms of intellectual domination exercised by urban perspectives over rural realities. She understands small- and medium-scale farmers not merely as food producers, but as cultural agents responsible both for preserving traditional knowledge and for generating new forms of expertise to confront today’s challenges.
Working across sculpture, installation, textiles, photography, video, sound, and other media, Molinos examines the rural sphere. Driven by a strong desire to understand the value and complexity of its cultural production, as well as the forces that keep it isolated and marginalized, she has developed projects addressing the transformation of agricultural labor, the impact of biotechnology, the international food trade, transhumant architecture, peasant protests, the European Union’s Common Agricultural Policy (CAP) and the bureaucratization of territory, ancestral irrigation systems, and peasant approaches to building collective well-being.
In 2015, Molinos received the Sharjah Biennial Prize for her project WAM (World Agriculture Museum) and represented Spain at the 13th Havana Biennial in 2019. Her work has been exhibited at institutions including the Victoria & Albert Museum, London; the Guggenheim Museum Bilbao; the Thyssen-Bornemisza National Museum, Madrid; Centre Pompidou Málaga; Museo Carrillo Gil, Mexico City; Jameel Arts Centre, Dubai; The Townhouse Gallery, Cairo; Darat al Funun, Amman; Arnolfini Centre for Contemporary Arts, Bristol; tranzit, Prague; Cappadox Festival, Uçhisar, Turkey; the Finnish Museum of Photography, Helsinki; MUSAC, León; CAB, Burgos; Matadero Madrid; La Casa Encendida, Madrid; and CA2M, Madrid, among others.
Her work is held in the collections of the Museo Nacional Centro de Arte Reina Sofía; TBA21–Thyssen-Bornemisza Art Contemporary; CA2M; MUSAC; Museo del Traje; the Museum of History of Madrid; the Art Jameel Collection; The Khalid Shoman Collection; the Aileen Getty Collection; and Crystal Bridges Museum of American Art, Bentonville, Arkansas, among others.
She is currently represented by Travesía Cuatro (Madrid, Spain; Guadalajara, Mexico).
Molinos holds a BFA from the Complutense University of Madrid and an MA in Theory and Practice of Contemporary Fine Arts from the same institution. She also completed further studies in History and Anthropological Methodology at UNED–Escuelas Pías.

Wafaa El Nil, 2017. Ritual doll, egyptian cotton. 156 x 55 x 55 cm.

A Mayúscula, b minúscula, 2017.
Fayoum Ceramics.
21 x 23 x 3 cm each, 180 x 70 x 27 cm installation.

A Mayúscula, b minúscula.
2017.
Fayoum Ceramics.
21 x 23 x 3 cm each, 180 x 70 x 27 cm installation.

Profile of debt, 2017. Comb profilometer coated in 24k gold, 3 microns. 8 x 13 x 2cm.

Lake Burullus, 2017.
Fish head and tail belonging to the trays used commonly by egyptian elites in the 1950s, to serve the fish’s body ready to eat.
90 x 20 x 3 cm

Cultivando Desierto, 2017.
Paint on silk drawing from an aerial photograph of the Bahariya desert.
290 x 136 cm.


Buy the rumor, sell the news, 2014. Neón. 26 x 75 cm.


Cultivando Desierto, 2017.
Paint on silk drawing from an aerial photograph of the Bahariya desert.
290 x 136 cm.

Banco, 2014. Digital photograph on paper 120 x 85 cm.

Dumping, 2014. Serigraphed jute sacks, slings, carabiner. Variable dimensions.


















































































