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Asunción Molinos Gordo

Aranda de Duero, Spain. 1979
Artes de la Tierra, group show, installation view

Guggenheim, Bilbao, Spain, 2026

Artes de la Tierra, group show, installation view

Guggenheim, Bilbao, Spain, 2026

Artes de la Tierra, group show, installation view

Guggenheim, Bilbao, Spain, 2026

Artes de la Tierra, group show, installation view

Guggenheim, Bilbao, Spain, 2026

Asunción Molinos Gordo: The Peasant, the Scholar and the Engineer, Installation view.

Galleries, Jameel Arts Centre, Dubai UAE, 04.16.25 – 28.09.25.

Asunción Molinos Gordo: The Peasant, the Scholar and the Engineer, Installation view.

Galleries, Jameel Arts Centre, Dubai UAE, 04.16.25 – 28.09.25.

Asunción Molinos Gordo: The Peasant, the Scholar and the Engineer, Installation view.

Galleries, Jameel Arts Centre, Dubai UAE, 04.16.25 – 28.09.25.

Asunción Molinos Gordo: The Peasant, the Scholar and the Engineer, Installation view.

Galleries, Jameel Arts Centre, Dubai UAE, 04.16.25 – 28.09.25.

Asunción Molinos Gordo: The Peasant, the Scholar and the Engineer, Installation view.

Galleries, Jameel Arts Centre, Dubai UAE, 04.16.25 – 28.09.25.

Asunción Molinos Gordo: The Peasant, the Scholar and the Engineer, Installation view.

Galleries, Jameel Arts Centre, Dubai UAE, 04.16.25 – 28.09.25.

DÉJÀ VÉCU. LO YA VIVIDO

CA2M, Madrid, Spain, 2024.

DÉJÀ VÉCU. LO YA VIVIDO

CA2M, Madrid, Spain, 2024.

DÉJÀ VÉCU. LO YA VIVIDO

CA2M, Madrid, Spain, 2024.

DÉJÀ VÉCU. LO YA VIVIDO

CA2M, Madrid, Spain, 2024.

DÉJÀ VÉCU. LO YA VIVIDO

CA2M, Madrid, Spain, 2024.

DÉJÀ VÉCU. LO YA VIVIDO

CA2M, Madrid, Spain, 2024.

DÉJÀ VÉCU. LO YA VIVIDO

CA2M, Madrid, Spain, 2024.

Asunción Molinos Gordo: ¡Cuánto río allá arriba!, 2023. © HAM/Helsinki Biennial/Sonja Hyytiäinen
Asunción Molinos Gordo: ¡Cuánto río allá arriba!, 2023. © HAM/Helsinki Biennial/Sonja Hyytiäinen
Bienal del Bioceno: Cambiar el verde por el azul.

10 Dec 2021 – 28 Feb 2022. XV Bienal de Cuenca. Curated by Blanca de la Torre. Cuenca, Azuay, Ecuador.

Bienal del Bioceno: Cambiar el verde por el azul.

10 Dec 2021 – 28 Feb 2022. XV Bienal de Cuenca. Curated by Blanca de la Torre. Cuenca, Azuay, Ecuador.

Bienal del Bioceno: Cambiar el verde por el azul.

10 Dec 2021 – 28 Feb 2022. XV Bienal de Cuenca. Curated by Blanca de la Torre. Cuenca, Azuay, Ecuador.

Bienal del Bioceno: Cambiar el verde por el azul.

10 Dec 2021 – 28 Feb 2022. XV Bienal de Cuenca. Curated by Blanca de la Torre. Cuenca, Azuay, Ecuador.

Bienal del Bioceno: Cambiar el verde por el azul.

10 Dec 2021 – 28 Feb 2022. XV Bienal de Cuenca. Curated by Blanca de la Torre. Cuenca, Azuay, Ecuador.

Bienal del Bioceno: Cambiar el verde por el azul.

10 Dec 2021 – 28 Feb 2022. XV Bienal de Cuenca. Curated by Blanca de la Torre. Cuenca, Azuay, Ecuador.

Como solíamos

2020. IVAM Institut Valencià d’Art Modern. Curated by Sandra Moros.

Como solíamos

2020. IVAM Institut Valencià d’Art Modern. Curated by Sandra Moros.

Como solíamos

2020. IVAM Institut Valencià d’Art Modern. Curated by Sandra Moros.

Como solíamos

2020. IVAM Institut Valencià d’Art Modern. Curated by Sandra Moros.

Como solíamos

2020. IVAM Institut Valencià d’Art Modern. Curated by Sandra Moros.

Como solíamos

2020. IVAM Institut Valencià d’Art Modern. Curated by Sandra Moros.

IN TRANSIT: Botany of a Journey

2020. Jameel Arts Centre, Artist Garden Commission. Curated by Dawn Ross and Nadine El Khoury. Dubai, UAE.

IN TRANSIT: Botany of a Journey

2020. Jameel Arts Centre, Artist Garden Commission. Curated by Dawn Ross and Nadine El Khoury. Dubai, UAE.

IN TRANSIT: Botany of a Journey

2020. Jameel Arts Centre, Artist Garden Commission. Curated by Dawn Ross and Nadine El Khoury. Dubai, UAE.

IN TRANSIT: Botany of a Journey

2020. Jameel Arts Centre, Artist Garden Commission. Curated by Dawn Ross and Nadine El Khoury. Dubai, UAE.

IN TRANSIT: Botany of a Journey

2020. Jameel Arts Centre, Artist Garden Commission. Curated by Dawn Ross and Nadine El Khoury. Dubai, UAE.

Accumulation by Dispossession

2019. Delfina Foundation, London, United Kingdom. Curated by Dani Burrows.

Accumulation by Dispossession

2019. Delfina Foundation, London, United Kingdom. Curated by Dani Burrows.

Accumulation by Dispossession

2019. Delfina Foundation, London, United Kingdom. Curated by Dani Burrows.

Accumulation by Dispossession

2019. Delfina Foundation, London, United Kingdom. Curated by Dani Burrows.

Accumulation by Dispossession

2019. Delfina Foundation, London, United Kingdom. Curated by Dani Burrows.

De campesino a campesino

2019. La construcción de lo posible (group show), XIII Bienal de la Habana, Cuba. Curated by Margarita González, Nelson Herrera, Margarita Sánchez, José Manuel Noceda, José Fernández, Ibis Hernández and Lisset Alonso.

De campesino a campesino

2019. La construcción de lo posible (group show), XIII Bienal de la Habana, Cuba. Curated by Margarita González, Nelson Herrera, Margarita Sánchez, José Manuel Noceda, José Fernández, Ibis Hernández and Lisset Alonso.

De campesino a campesino

2019. La construcción de lo posible (group show), XIII Bienal de la Habana, Cuba. Curated by Margarita González, Nelson Herrera, Margarita Sánchez, José Manuel Noceda, José Fernández, Ibis Hernández and Lisset Alonso.

Dunia, Mulk, Yabarut [Tierra, Cielo, Espíritu]

2019. III Cervezas Alhambra Emerging Art in ArcoMadrid. Curated by Alicia Ventura.

Ghost Agriculture

2018. Submerged – On Rivers and Their Interrupted Flow (group show). CIC (Contemporary Image Collective), Cairo, Egypt. Curated by Andrea Thal y Ahmed Refaat.

Ghost Agriculture

2018. Submerged – On Rivers and Their Interrupted Flow (group show). CIC (Contemporary Image Collective), Cairo, Egypt. Curated by Andrea Thal y Ahmed Refaat.

Ghost Agriculture

2018. Submerged – On Rivers and Their Interrupted Flow (group show). CIC (Contemporary Image Collective), Cairo, Egypt. Curated by Andrea Thal y Ahmed Refaat.

El Santísimo

2018. CAB (Centro de Arte de Burgos, Fundación Caja de Burgos), Burgos, Spain.

El Santísimo

2018. CAB (Centro de Arte de Burgos, Fundación Caja de Burgos), Burgos, Spain.

Hambre, un objeto hecho por el hombre

2017. Festival of Political Photography. Finnish Museum of Photography, Helsinki, Finland. Curated by Tiina Rauhala.

Hambre, un objeto hecho por el hombre

2017. Festival of Political Photography. Finnish Museum of Photography, Helsinki, Finland. Curated by Tiina Rauhala.

Hambre, un objeto hecho por el hombre

2017. MAZ (Museo de Arte de Zapopan), Zapopan, Jalisco, Mexico.

Hambre, un objeto hecho por el hombre

2017. Festival of Political Photography. Finnish Museum of Photography, Helsinki, Finland. Curated by Tiina Rauhala.

Hambre, un objeto hecho por el hombre

2017. Festival of Political Photography. Finnish Museum of Photography, Helsinki, Finland. Curated by Tiina Rauhala.

WAM (World Agriculture Museum)

2015. Sharjah Biennial 12. Sharjah Foundation, Sharjah, United Arab Emirates.

WAM (World Agriculture Museum)

2015. Sharjah Biennial 12. Sharjah Foundation, Sharjah, United Arab Emirates.

WAM (World Agriculture Museum)

2015. Sharjah Biennial 12. Sharjah Foundation, Sharjah, United Arab Emirates.

WAM (World Agriculture Museum)

2015. Sharjah Biennial 12. Sharjah Foundation, Sharjah, United Arab Emirates.

El Matam El Mish-masry [The Non-Egyptian Restaurant]

2012. Installation in Artellewa Art Space, Cairo, Egypt.

El Matam El Mish-masry [The Non-Egyptian Restaurant]

2012. Installation in Artellewa Art Space, Cairo, Egypt.

El Matam El Mish-masry [The Non-Egyptian Restaurant]

2012. Installation in Artellewa Art Space, Cairo, Egypt.

El Matam El Mish-masry [The Non-Egyptian Restaurant]

2012. Installation in Artellewa Art Space, Cairo, Egypt.

4
Untitled 1 [Chozos de Pastor]

2008. Nomad Architecture Intervention, Guzmán, Burgos, Spain.

Untitled 1 [Chozos de Pastor]

2008. Nomad Architecture Intervention, Guzmán, Burgos, Spain.

Untitled 1 [Chozos de Pastor]

2008. Nomad Architecture Intervention, Guzmán, Burgos, Spain.

Untitled 1 [Chozos de Pastor]

2008. Nomad Architecture Intervention, Guzmán, Burgos, Spain.

Asunción Molinos Gordo is a researcher and visual artist whose work is primarily focused on contemporary peasantry and the historical processes of cultural disruption. In her artistic practice, she questions the categories that define “innovation” in today’s dominant discourses, exploring the various forms of intellectual domination of the urban over the rural. Her understanding of small and medium-scale farmers is not limited to that of food producers, but extends to that of cultural agents, responsible both for perpetuating traditional knowledge and for generating new forms of learning to confront current challenges.

Molinos works with sculpture, installation, textile, photography, video, sound, and other media to examine the rural sphere. She has produced works on the transformation of agrarian labor, the impact of biotechnology, international food trade, transhumant architecture, peasant protests, the CAP (Common Agricultural Policy) and the bureaucratization of territory, ancestral irrigation systems, and peasant forms of building wellbeing.

Her work has been exhibited at venues including Guggenheim (Bilbao, Spain); Collegium (Arévalo, Spain) Pompidou Museum (Málaga, Spain); Les Abattoirs Museum (Toulouse, France); Art Jameel (Dubai, UAE); IVAM Institut Valencia d’Art Modern (Valencia, Spain); Victoria & Albert Museum (London, UK); Delfina Foundation (London, UK); ARNOLFINI (Bristol, UK); CCA (Glasgow, Escocia); The Townhouse Gallery (Cairo, EG); Darat Al Funun (Amman, JO); Tranzit (Prague, CZ); Cappadox Festival (Uchisar-Turkey); The Finnish Museum of Photography (Helsinki, FI); Museo Carrillo Gil (Mexico); MAZ Museo de Arte de Zapopan (Guadalajara, MX); MUSAC (León, ES); CA2M (Madrid, ES); CAB (Burgos, ES); Matadero (Madrid, ES) and La Casa Encendida (Madrid, ES), among others.

She has been part of the 1st Climate Biennale, Avilés, Spain (2026); the Biennale of Contemporary Keramics in Rhodes, Greece (2026); the XII Lanzarote Biennial (2024); the Prague Biennale and Helsinki Bienniales (2023); the Cuenca Biennial in Ecuador (2021); the XIII Havana Biennial (2019) and the Sharjah Biennial of 2015 where she won the Biennale Prize with her project WAM.

Her work is part of permanent collections including the Museo Nacional Centro de Arte Reina Sofia; Thyssen-Bornemisza Art Contemporary Foundation (TBA21), Vienna, Austria; Colección CA2M Comunidad de Madrid, Spain; Colección DKV, Spain; Fundación Calosa, Irapuato, Mexico; Crystal Bridges Museum of American Art in Bentonville, Arkansas, US; The Khalid Shoman Collection Darat Al Funun, Amman, Jordan; Aileen Getty Collection, US.

Wafaa El Nil, 2017. Ritual doll, egyptian cotton. 156 x 55 x 55 cm.

A Mayúscula, b minúscula, 2017.
Fayoum Ceramics.
21 x 23 x 3 cm each, 180 x 70 x 27 cm installation.

A Mayúscula, b minúscula.
2017.
Fayoum Ceramics.
21 x 23 x 3 cm each, 180 x 70 x 27 cm installation.

Profile of debt, 2017. Comb profilometer coated in 24k gold, 3 microns. 8 x 13 x 2cm.

Lake Burullus, 2017.
Fish head and tail belonging to the trays used commonly by egyptian elites in the 1950s, to serve the fish’s body ready to eat.
90 x 20 x 3 cm

Cultivando Desierto, 2017.
Paint on silk drawing from an aerial photograph of the Bahariya desert.
290 x 136 cm.

25 de Enero, 30 de Junio, 2017. Photographic print on brass slate. 80x62 cm.

Buy the rumor, sell the news, 2014. Neón. 26 x 75 cm.

Detail of ''Buy the rumor, sell the news,'' 2014. Neon. 26 x 75 cm.

Cultivando Desierto, 2017.
Paint on silk drawing from an aerial photograph of the Bahariya desert.
290 x 136 cm.

Banco, 2014. Digital photograph on paper 120 x 85 cm.

Dumping, 2014. Serigraphed jute sacks, slings, carabiner. Variable dimensions.