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Asunción Molinos Gordo

Aranda de Duero, Spain. 1979
Asunción Molinos Gordo: The Peasant, the Scholar and the Engineer, Installation view.

Galleries, Jameel Arts Centre, Dubai UAE, 04.16.25 – 28.09.25.

Asunción Molinos Gordo: The Peasant, the Scholar and the Engineer, Installation view.

Galleries, Jameel Arts Centre, Dubai UAE, 04.16.25 – 28.09.25.

Asunción Molinos Gordo: The Peasant, the Scholar and the Engineer, Installation view.

Galleries, Jameel Arts Centre, Dubai UAE, 04.16.25 – 28.09.25.

Asunción Molinos Gordo: The Peasant, the Scholar and the Engineer, Installation view.

Galleries, Jameel Arts Centre, Dubai UAE, 04.16.25 – 28.09.25.

Asunción Molinos Gordo: The Peasant, the Scholar and the Engineer, Installation view.

Galleries, Jameel Arts Centre, Dubai UAE, 04.16.25 – 28.09.25.

Asunción Molinos Gordo: The Peasant, the Scholar and the Engineer, Installation view.

Galleries, Jameel Arts Centre, Dubai UAE, 04.16.25 – 28.09.25.

DÉJÀ VÉCU. LO YA VIVIDO

CA2M, Madrid, Spain, 2024.

DÉJÀ VÉCU. LO YA VIVIDO

CA2M, Madrid, Spain, 2024.

DÉJÀ VÉCU. LO YA VIVIDO

CA2M, Madrid, Spain, 2024.

DÉJÀ VÉCU. LO YA VIVIDO

CA2M, Madrid, Spain, 2024.

DÉJÀ VÉCU. LO YA VIVIDO

CA2M, Madrid, Spain, 2024.

DÉJÀ VÉCU. LO YA VIVIDO

CA2M, Madrid, Spain, 2024.

DÉJÀ VÉCU. LO YA VIVIDO

CA2M, Madrid, Spain, 2024.

Asunción Molinos Gordo: ¡Cuánto río allá arriba!, 2023. © HAM/Helsinki Biennial/Sonja Hyytiäinen
Asunción Molinos Gordo: ¡Cuánto río allá arriba!, 2023. © HAM/Helsinki Biennial/Sonja Hyytiäinen
Bienal del Bioceno: Cambiar el verde por el azul.

10 Dec 2021 – 28 Feb 2022. XV Bienal de Cuenca. Curated by Blanca de la Torre. Cuenca, Azuay, Ecuador.

Bienal del Bioceno: Cambiar el verde por el azul.

10 Dec 2021 – 28 Feb 2022. XV Bienal de Cuenca. Curated by Blanca de la Torre. Cuenca, Azuay, Ecuador.

Bienal del Bioceno: Cambiar el verde por el azul.

10 Dec 2021 – 28 Feb 2022. XV Bienal de Cuenca. Curated by Blanca de la Torre. Cuenca, Azuay, Ecuador.

Bienal del Bioceno: Cambiar el verde por el azul.

10 Dec 2021 – 28 Feb 2022. XV Bienal de Cuenca. Curated by Blanca de la Torre. Cuenca, Azuay, Ecuador.

Bienal del Bioceno: Cambiar el verde por el azul.

10 Dec 2021 – 28 Feb 2022. XV Bienal de Cuenca. Curated by Blanca de la Torre. Cuenca, Azuay, Ecuador.

Bienal del Bioceno: Cambiar el verde por el azul.

10 Dec 2021 – 28 Feb 2022. XV Bienal de Cuenca. Curated by Blanca de la Torre. Cuenca, Azuay, Ecuador.

Como solíamos

2020. IVAM Institut Valencià d’Art Modern. Curated by Sandra Moros.

Como solíamos

2020. IVAM Institut Valencià d’Art Modern. Curated by Sandra Moros.

Como solíamos

2020. IVAM Institut Valencià d’Art Modern. Curated by Sandra Moros.

Como solíamos

2020. IVAM Institut Valencià d’Art Modern. Curated by Sandra Moros.

Como solíamos

2020. IVAM Institut Valencià d’Art Modern. Curated by Sandra Moros.

Como solíamos

2020. IVAM Institut Valencià d’Art Modern. Curated by Sandra Moros.

IN TRANSIT: Botany of a Journey

2020. Jameel Arts Centre, Artist Garden Commission. Curated by Dawn Ross and Nadine El Khoury. Dubai, UAE.

IN TRANSIT: Botany of a Journey

2020. Jameel Arts Centre, Artist Garden Commission. Curated by Dawn Ross and Nadine El Khoury. Dubai, UAE.

IN TRANSIT: Botany of a Journey

2020. Jameel Arts Centre, Artist Garden Commission. Curated by Dawn Ross and Nadine El Khoury. Dubai, UAE.

IN TRANSIT: Botany of a Journey

2020. Jameel Arts Centre, Artist Garden Commission. Curated by Dawn Ross and Nadine El Khoury. Dubai, UAE.

IN TRANSIT: Botany of a Journey

2020. Jameel Arts Centre, Artist Garden Commission. Curated by Dawn Ross and Nadine El Khoury. Dubai, UAE.

Accumulation by Dispossession

2019. Delfina Foundation, London, United Kingdom. Curated by Dani Burrows.

Accumulation by Dispossession

2019. Delfina Foundation, London, United Kingdom. Curated by Dani Burrows.

Accumulation by Dispossession

2019. Delfina Foundation, London, United Kingdom. Curated by Dani Burrows.

Accumulation by Dispossession

2019. Delfina Foundation, London, United Kingdom. Curated by Dani Burrows.

Accumulation by Dispossession

2019. Delfina Foundation, London, United Kingdom. Curated by Dani Burrows.

De campesino a campesino

2019. La construcción de lo posible (group show), XIII Bienal de la Habana, Cuba. Curated by Margarita González, Nelson Herrera, Margarita Sánchez, José Manuel Noceda, José Fernández, Ibis Hernández and Lisset Alonso.

De campesino a campesino

2019. La construcción de lo posible (group show), XIII Bienal de la Habana, Cuba. Curated by Margarita González, Nelson Herrera, Margarita Sánchez, José Manuel Noceda, José Fernández, Ibis Hernández and Lisset Alonso.

De campesino a campesino

2019. La construcción de lo posible (group show), XIII Bienal de la Habana, Cuba. Curated by Margarita González, Nelson Herrera, Margarita Sánchez, José Manuel Noceda, José Fernández, Ibis Hernández and Lisset Alonso.

Dunia, Mulk, Yabarut [Tierra, Cielo, Espíritu]

2019. III Cervezas Alhambra Emerging Art in ArcoMadrid. Curated by Alicia Ventura.

Ghost Agriculture

2018. Submerged – On Rivers and Their Interrupted Flow (group show). CIC (Contemporary Image Collective), Cairo, Egypt. Curated by Andrea Thal y Ahmed Refaat.

Ghost Agriculture

2018. Submerged – On Rivers and Their Interrupted Flow (group show). CIC (Contemporary Image Collective), Cairo, Egypt. Curated by Andrea Thal y Ahmed Refaat.

Ghost Agriculture

2018. Submerged – On Rivers and Their Interrupted Flow (group show). CIC (Contemporary Image Collective), Cairo, Egypt. Curated by Andrea Thal y Ahmed Refaat.

El Santísimo

2018. CAB (Centro de Arte de Burgos, Fundación Caja de Burgos), Burgos, Spain.

El Santísimo

2018. CAB (Centro de Arte de Burgos, Fundación Caja de Burgos), Burgos, Spain.

Hambre, un objeto hecho por el hombre

2017. Festival of Political Photography. Finnish Museum of Photography, Helsinki, Finland. Curated by Tiina Rauhala.

Hambre, un objeto hecho por el hombre

2017. Festival of Political Photography. Finnish Museum of Photography, Helsinki, Finland. Curated by Tiina Rauhala.

Hambre, un objeto hecho por el hombre

2017. MAZ (Museo de Arte de Zapopan), Zapopan, Jalisco, Mexico.

Hambre, un objeto hecho por el hombre

2017. Festival of Political Photography. Finnish Museum of Photography, Helsinki, Finland. Curated by Tiina Rauhala.

Hambre, un objeto hecho por el hombre

2017. Festival of Political Photography. Finnish Museum of Photography, Helsinki, Finland. Curated by Tiina Rauhala.

WAM (World Agriculture Museum)

2015. Sharjah Biennial 12. Sharjah Foundation, Sharjah, United Arab Emirates.

WAM (World Agriculture Museum)

2015. Sharjah Biennial 12. Sharjah Foundation, Sharjah, United Arab Emirates.

WAM (World Agriculture Museum)

2015. Sharjah Biennial 12. Sharjah Foundation, Sharjah, United Arab Emirates.

WAM (World Agriculture Museum)

2015. Sharjah Biennial 12. Sharjah Foundation, Sharjah, United Arab Emirates.

El Matam El Mish-masry [The Non-Egyptian Restaurant]

2012. Installation in Artellewa Art Space, Cairo, Egypt.

El Matam El Mish-masry [The Non-Egyptian Restaurant]

2012. Installation in Artellewa Art Space, Cairo, Egypt.

El Matam El Mish-masry [The Non-Egyptian Restaurant]

2012. Installation in Artellewa Art Space, Cairo, Egypt.

El Matam El Mish-masry [The Non-Egyptian Restaurant]

2012. Installation in Artellewa Art Space, Cairo, Egypt.

4
Untitled 1 [Chozos de Pastor]

2008. Nomad Architecture Intervention, Guzmán, Burgos, Spain.

Untitled 1 [Chozos de Pastor]

2008. Nomad Architecture Intervention, Guzmán, Burgos, Spain.

Untitled 1 [Chozos de Pastor]

2008. Nomad Architecture Intervention, Guzmán, Burgos, Spain.

Untitled 1 [Chozos de Pastor]

2008. Nomad Architecture Intervention, Guzmán, Burgos, Spain.

Asunción Molinos Gordo is a researcher and visual artist strongly influenced by methods from disciplines such as anthropology, sociology, and cultural studies. In her artistic practice, she questions the categories that define “innovation” in today’s dominant discourses, exploring different forms of intellectual domination from urban to rural areas. The main focus of her work is contemporary peasantry. Her understanding of the figure of the small or medium sized farmer is not limited to that of a food producer but also includes that of a cultural agent, responsible both for perpetuating traditional knowledge and for generating new expertise to face current challenges.

She uses installation, photography, video, sound, and other media to examine the rural environment, driven by a strong desire to understand the value and complexity of its cultural production, as well as the burdens that keep it isolated and marginalized. She has produced work that reflects on land use, nomadic architecture, farmers’ strikes, bureaucracy over territory, the transformation of rural work, biotechnology, and the international food trade.

In 2024, Molinos Gordo participated in the Biennale Matter of Art in Prague, curated by Katalin Erdődi and Aleksei Borisionok, presenting her work El Fellah Ando Fes, and in the 12th Lanzarote Biennial, Gabinete en disolución. In 2023, she took part in the Helsinki Biennial, curated by Joasia Krysa, with her series ¡Cuánto río allá arriba!, which was also included in the Cuenca Biennial in Ecuador, curated by Blanca de la Torre in 2021. She also participated in the 13th Havana Biennial in 2019. In addition, Molinos Gordo won the Sharjah Biennial Prize in 2015 with her project WAM (World Agriculture Museum).

Among her solo and group exhibitions, highlights include: Guggenheim Museum Bilbao (Spain); CA2M, Madrid (Spain); Art Jameel, Dubai (UAE); BOZAR Centre of Fine Arts, Brussels (Belgium); Onomatopee, Amsterdam (Netherlands); Kunstverein Springhornhof (Germany); Art Sonje Center, Seoul (South Korea); Centro Cultural Conde Duque, Madrid (Spain); IVAM Institut Valencià d’Art Modern, Valencia (Spain); Victoria & Albert Museum, London (United Kingdom); Delfina Foundation, London (United Kingdom); Arnolfini, Bristol (United Kingdom); CCA, Glasgow (Scotland); The Townhouse Gallery, Cairo (Egypt); Darat Al Funun, Amman (Jordan); Tranzit Prague (Czech Republic); Cappadox Festival, Uçhisar (Turkey); Finnish Museum of Photography, Helsinki (Finland); Museo Carrillo Gil (Mexico); MAZ Museo de Arte de Zapopan, Guadalajara (Mexico); MUSAC, León (Spain); CAB, Burgos (Spain); Matadero Madrid (Spain); La Casa Encendida, Madrid (Spain); and Tabacalera Promoción del Arte, Madrid (Spain), among others.

Her work is part of public collections such as the Museo Nacional Centro de Arte Reina Sofía (Spain); Fundación Cerezales Antonino y Cinia, León (Spain); Thyssen-Bornemisza Art Contemporary Foundation (TBA21); Art Jameel, Dubai (UAE); the CA2M Collection of the Community of Madrid (Spain); the DKV Collection (Spain); Fundación Calosa, Irapuato (Mexico); Crystal Bridges Museum of American Art, Bentonville, Arkansas (USA); the Khalid Shoman Collection – Darat Al Funun, Amman (Jordan); and the Aileen Getty Collection (USA).

Asunción Molinos Gordo lives and works in Madrid, Spain.

Wafaa El Nil, 2017. Ritual doll, egyptian cotton. 156 x 55 x 55 cm.

A Mayúscula, b minúscula, 2017.
Fayoum Ceramics.
21 x 23 x 3 cm each, 180 x 70 x 27 cm installation.

A Mayúscula, b minúscula.
2017.
Fayoum Ceramics.
21 x 23 x 3 cm each, 180 x 70 x 27 cm installation.

Profile of debt, 2017. Comb profilometer coated in 24k gold, 3 microns. 8 x 13 x 2cm.

Lake Burullus, 2017.
Fish head and tail belonging to the trays used commonly by egyptian elites in the 1950s, to serve the fish’s body ready to eat.
90 x 20 x 3 cm

Cultivando Desierto, 2017.
Paint on silk drawing from an aerial photograph of the Bahariya desert.
290 x 136 cm.

25 de Enero, 30 de Junio, 2017. Photographic print on brass slate. 80x62 cm.

Buy the rumor, sell the news, 2014. Neón. 26 x 75 cm.

Detail of ''Buy the rumor, sell the news,'' 2014. Neon. 26 x 75 cm.

Cultivando Desierto, 2017.
Paint on silk drawing from an aerial photograph of the Bahariya desert.
290 x 136 cm.

Banco, 2014. Digital photograph on paper 120 x 85 cm.

Dumping, 2014. Serigraphed jute sacks, slings, carabiner. Variable dimensions.