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Asunción Molinos Gordo
Asunción Molinos Gordo is a researcher and visual artist strongly influenced by methods from disciplines such as anthropology, sociology, and cultural studies. In her artistic practice, she questions the categories that define “innovation” in today’s dominant discourses, exploring different forms of intellectual domination from urban to rural areas. The main focus of her work is contemporary peasantry. Her understanding of the figure of the small or medium sized farmer is not limited to that of a food producer but also includes that of a cultural agent, responsible both for perpetuating traditional knowledge and for generating new expertise to face current challenges.
She uses installation, photography, video, sound, and other media to examine the rural environment, driven by a strong desire to understand the value and complexity of its cultural production, as well as the burdens that keep it isolated and marginalized. She has produced work that reflects on land use, nomadic architecture, farmers’ strikes, bureaucracy over territory, the transformation of rural work, biotechnology, and the international food trade.
In 2024, Molinos Gordo participated in the Biennale Matter of Art in Prague, curated by Katalin Erdődi and Aleksei Borisionok, presenting her work El Fellah Ando Fes, and in the 12th Lanzarote Biennial, Gabinete en disolución. In 2023, she took part in the Helsinki Biennial, curated by Joasia Krysa, with her series ¡Cuánto río allá arriba!, which was also included in the Cuenca Biennial in Ecuador, curated by Blanca de la Torre in 2021. She also participated in the 13th Havana Biennial in 2019. In addition, Molinos Gordo won the Sharjah Biennial Prize in 2015 with her project WAM (World Agriculture Museum).
Among her solo and group exhibitions, highlights include: Guggenheim Museum Bilbao (Spain); CA2M, Madrid (Spain); Art Jameel, Dubai (UAE); BOZAR Centre of Fine Arts, Brussels (Belgium); Onomatopee, Amsterdam (Netherlands); Kunstverein Springhornhof (Germany); Art Sonje Center, Seoul (South Korea); Centro Cultural Conde Duque, Madrid (Spain); IVAM Institut Valencià d’Art Modern, Valencia (Spain); Victoria & Albert Museum, London (United Kingdom); Delfina Foundation, London (United Kingdom); Arnolfini, Bristol (United Kingdom); CCA, Glasgow (Scotland); The Townhouse Gallery, Cairo (Egypt); Darat Al Funun, Amman (Jordan); Tranzit Prague (Czech Republic); Cappadox Festival, Uçhisar (Turkey); Finnish Museum of Photography, Helsinki (Finland); Museo Carrillo Gil (Mexico); MAZ Museo de Arte de Zapopan, Guadalajara (Mexico); MUSAC, León (Spain); CAB, Burgos (Spain); Matadero Madrid (Spain); La Casa Encendida, Madrid (Spain); and Tabacalera Promoción del Arte, Madrid (Spain), among others.
Her work is part of public collections such as the Museo Nacional Centro de Arte Reina Sofía (Spain); Fundación Cerezales Antonino y Cinia, León (Spain); Thyssen-Bornemisza Art Contemporary Foundation (TBA21); Art Jameel, Dubai (UAE); the CA2M Collection of the Community of Madrid (Spain); the DKV Collection (Spain); Fundación Calosa, Irapuato (Mexico); Crystal Bridges Museum of American Art, Bentonville, Arkansas (USA); the Khalid Shoman Collection – Darat Al Funun, Amman (Jordan); and the Aileen Getty Collection (USA).
Asunción Molinos Gordo lives and works in Madrid, Spain.

Wafaa El Nil, 2017. Ritual doll, egyptian cotton. 156 x 55 x 55 cm.

A Mayúscula, b minúscula, 2017.
Fayoum Ceramics.
21 x 23 x 3 cm each, 180 x 70 x 27 cm installation.

A Mayúscula, b minúscula.
2017.
Fayoum Ceramics.
21 x 23 x 3 cm each, 180 x 70 x 27 cm installation.

Profile of debt, 2017. Comb profilometer coated in 24k gold, 3 microns. 8 x 13 x 2cm.

Lake Burullus, 2017.
Fish head and tail belonging to the trays used commonly by egyptian elites in the 1950s, to serve the fish’s body ready to eat.
90 x 20 x 3 cm

Cultivando Desierto, 2017.
Paint on silk drawing from an aerial photograph of the Bahariya desert.
290 x 136 cm.


Buy the rumor, sell the news, 2014. Neón. 26 x 75 cm.


Cultivando Desierto, 2017.
Paint on silk drawing from an aerial photograph of the Bahariya desert.
290 x 136 cm.

Banco, 2014. Digital photograph on paper 120 x 85 cm.

Dumping, 2014. Serigraphed jute sacks, slings, carabiner. Variable dimensions.














































































