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Donna Huanca
Donna Huanca (b. 1980 in Chicago, US) is a multidisciplinary artist whose practice explores the human body and the natural world, through mark making, raw materials, immersive environments, and singular topographies. Encompassing painting, sculpture and live performance, as well as sound and scent works, Huanca’s installations are specially created for and intricately woven into the specific architectural spaces in which they are presented.
Inspired by Indigenous systems of communication, where objects serve as multi-purpose signifiers, Huanca uses objects and materials as repositories that aggregate and convey knowledge, information, and memory. Deeply rooted in communal practice and ritual, her kaleidoscopic practice creates shared spaces for transcendence, meditation, and transformation.
The performers Huanca commissions to inhabit her installations expand her non-static vocabulary and their painted skin becomes a major element in the composition. Huanca is interested in the fluidity of earthly cycles such as birth, decay, and renewal, and her impermanent paintings on the performers’ bodies are photographed, collaged, and manipulated into future works, masking and unmasking the traces of the human body beneath them. Through overlapping temporalities and narratives, Huanca’s multilayered works embody an allegory of both the fragmentation and connectedness of our shared human experience.
Donna Huanca studied at Städelschule, Frankfurt and was the recipient of the DAAD Artist Frankfurt and a Fullbright research grant.
In November 2025 she presented Explorations: Donna Huanca and the Temple of Dendur, a single performance comissiones by the Metropolitan Museum of New York.
Recent solo exhibitions include MINA DE AURA, CAAC Centro Andaluz de Arte Contemporáneo, Sevilla, Spain (2025); LAS NIÑAS DEL ALTIPLANO, Travesía Cuatro, Madrid, Spain (2025); MORTAL COIL, Number 1 Mainroad, Berlin, Germany (2024); UTOPIC CELLS, Zuzeum Art Centre, Riga, Latvia (2024); SKIN PAINTEENS, Nitsch Foundation, Vienna, Austria (2024); Scar Tissue (Blured Earth), Faurschou, New York, USA (2024); Ojos Obsidianos, MAZ, Zapopan, Mexico (2023); Portal de Plata, Whitechapel Gallery, London, UK (2022); Aqua Sabia, Kiasma Museun, Helsinki, Finland (2021); Espejo Quemada, Ballroom Marfa, Texas, USA (2022); Cueva de Copal, Arnolfini Bristol, UK (2022); Lágrimas Secas, Travesía Cuatro CDMX, Mexico (2022); Obsidian Ladder, curated by Olivia Marciano, Marciano Art Foundation, Los Angeles, USA (2019); Lengua Llorona, Copenhagen Contemporary, Denmark (2019); Piedra Quemada, Belvedere Museum, Vienna, Austria (2018); Cell Echo, Yuz Museum, Shanghai, China (2018); Lengua de Bartolina Sisa, Travesía Cuatro Madrid, Spain (2017); Jaguar and electric Eels, Julia Stoschek Collection, Berlin, Germany (2017); Scar Cymbals, Zabludowicz Collection, London, UK (2016); Ice Chrysocolla, Cabaret der Künstler – Zunfthaus Voltaire, Manifesta 11, Zurich, Switzerland (2016); In collaboration with kim?, Contemporary Art Centre, Riga, Latvia and Sade Room (famously reclusive), Moma PS1, New York, USA.
Her work is part numerous collections worldwide, including the Solomon R. Guggenheim Museum, New York, YUZ Museum, Shanghai, Rubell Museum, Miami, and Belvedere Museum, Vienna, among others.She is included in numerous international collections: Collections Solomon R. Guggenheim Collection, New York, United States; Zabludowicz Collection, London, United Kingdom; B.LA Foundation, Vienna, Austria; Espacio 1414/Berezdivin Collection, Santurce, Puerto Rico; Marciano Art Foundation, Los Angeles, United States; Rubell Family Collection, Miami, United States; Sifang Art Museum, Nanjing, China; Yuz Museum, Shanghai, China, among others.


2018. Belvedere Museum, Vienna, Austria. Curated by Dr. Stella Rollig.

2018. Belvedere Museum, Vienna, Austria. Curated by Dr. Stella Rollig.





2018. Belvedere Museum, Vienna, Austria. Curated by Dr. Stella Rollig.


2018. Yuz Museum, Shanghai, China.

2018. Yuz Museum, Shanghai, China.






























































































































