“The exhibition reveals that resistance can take many forms when freedom of expression is threatened by authoritarian regimes, an alarming reality that is repeating itself in various locations around the world today.” Read the complete review in Artforum.

The peasant, The Scholar, The Engineer is a retrospective exhibition of the artist and cultural researcher Asunción Molinos Gordo, curated by Nora Razian, at the Jameel Arts Centre in Dubai. The exhibition will be on view until September 21st, 2025. 

“It was pouring with rain and the scheduled hour for the interview was nigh, leaving no time to find somewhere suitable for the conversation we were about to have over the phone with Mexican artist Manuel Solano. Exhausted by all the work that went into her exhibition Egogenesis – opening at Travesía Cuatro. Madrid, March 6 – spoke to us about intimacy and the difficult birth which came about after a confrontation with the Self […]”.Find the complete interview in Umbigo Magazine.

Solar Watch (2006), by Alexandre Estrela, will be part of the group exhibition Archaic Futures, curated by Andrea Torreblanca‍, at Museo Tamayo, CDMX, Mexico. The exhibition will be on view from April 24 to August 31, 2025.

Bird Dream Machine is the third chapter of Teresa Solar Abboud’s retrospective. This exhibition is now on view at Fondazione Sandretto Re Rebaudengo, in Torino, Italy, and will be on view until October 12, 2025.

Teresa Solar Abboud will be part of the group exhibition Over Land and Sea curated by Anna Nowak, which tells the migratory history of humanity, its present and its future, at the Kunsthaus Hamburg, in Germany. The exhibition will be on view from April 6 to July 7, 2025.

“Urbano’s site-specific installation probed the multifaceted output of Burton, whose work as a queer artist elaborating on Conceptual and post-Minimalist explorations of situations and behaviors has received considerable reevaluation in the past few years.” Read the full article in ARTFORUM.

Milena Muzquiz is currently featured in the group exhibition The Vessel Revisited: Fundamental Forms in Contemporary Ceramics at the Anne Noland Edwards Gallery at Torggler Fine Arts Center, Newport,  Virginia, USA. The show is open to visitors until August 8th, 2025.

“Solar Abboud engages with not only the human, but also the geologic, the parasitic, the marine, the animal, and the mythical, citing a symbiosis and shared biological constitution that emerges from the soil.” Read the complete review in IMPULSE.

Éramos felices y no lo sabíamos is the group show that includes works by Jorge Méndez Blake and Gonzalo Lebrija at Casa de México, in Madrid, Spain. The exhibition is part of the Jumex Collection, curated by Ixel Rion Lora, and can be visited until June 8, 2025.

continents like seeds gathers the practices of La Chola Poblete, Niño de Elche and Pedro G. Romero at CARA Center for Art, Research and Alliances, New York. The group exhibition was curated by Manuela Moscoso and  Marian Chudnovsk, and will be on view until May 18th, 2025.

Alexandre Estrela’s work  Lazy Susan (Bookshelf Version), 2016, takes part of the group exhibition UMA DERIVA ATLANTICA AS ARTES DO SÉCULO XX , curated by Nuria Enguita, Marta Mestre and Mariana Pinto dos Santos, at Fundação Centro Cultural de Belém, in Lisbon, Portugal.

“When Mariela Scafati tackles a piece, exploration becomes the driving force behind her creative process. The first step consists of asking herself questions to push the boundaries of painting and take her outside of her comfort zone, something she also seeks to achieve with the public”. Keep reading in Iberia: talento a bordo.

Within the framework of ARCOmadrid 2025, VEINS (2024) by Álvaro Urbano was awarded as the winning work of the VIII Catalina D’Anglade Art Prize in the presence of Maribel López, director of the fair. In the words of the artist, the winning work reflects “the representation of a discreet place, a place of passage or waiting. On the street you wouldn’t stop to look at it, but for me it reflects the poetics of the moment”.

The City of Los Angeles Department of Cultural Affairs’ (DCA) will present  Step & Repeat, a group exhibition curated by Nancy Meyer and John Weston.  The show, that includes works by Milena Muzquiz, will be on view from March 6th at Los Angeles Municipal Art Gallery (LAMAG), USA.

As part of Alvaro Urbano’s solo exhibition Tableau Vivant, inspired by the life and work of American sculptor Scott Burton, a talk between art historian David J. Getsy and artist Tom Burr about Scott Burton will take place on Thursday, February 27 at 6:30pm at the Sculpture Center in New York.

Shifting Landscapes is the group exhibition that includes Donna Huanca’s GUERRERA PROTECTORA (pacha), which is now part of the collection of the Whitney Museum of American Art, in New York, where the show can be visited until January 2026.

Travesía Cuatro, of Mexico City, is showing two poetic sculptures by Tania Pérez Córdova that are based on simple memories of everyday objects and scenes—the shape of a door at a friend’s home, for example, reproduced in bronze. Another piece is inspired by the notion that a wine bottle might be based on the size of one human exhalation; a glass form is encased in a shape that recalls a seed, the start of life. “They’re difficult to explain but poetic,” said Sokoloff. Read the full article in Artnet.

Tania Pérez Córdova (1979, Mexico) lives and works in Mexico City. Her sculptural practice relates to the temporality and lifespan of objects. Conceiving her works as “situations,” Pérez Córdova creates sculptures and installations that consider the contextual relationships of everyday objects. She works with a wide range of materials, incorporating found objects and performance through networks of intimate, interpersonal exchanges.

Opening Somerset House at 25, London,  Somerset House presents SOIL: The World at Our Feet, a landmark exhibition unearthing the wonder of soil, its unbreakable bond to all life, and the vital role it plays in our planet’s future. The group show includes artworks by Asunción Molinos Gordo, and will be on view from January 23rd, until April 13th, 2025.

On Saturday, January 11th, at the atrium of the MACBA museum has organized a finissage for the exhibition Petrit Halilaj & Álvaro Urbano. Lunar Ensemble for Uprising Sea, where seven local musicians and artists will come together to perform “Ay, mi pescadito” merged with underwater sounds. Three sessions of 20 minutes: 5:00 pm, 6:00 pm and 7:00 pm.

Mariela Scafati, as part of the Serigrafistas Queer collective, presents Liberdade para as sensibilidades [Freedom for Sensibilities] at MASP,  Museu de Arte de São Paulo, Brazil. The exhibition, composed of 65 serigraphs by the collective and curated by Amanda Carneiro, will be open from December 13, 2024, through March 16, 2025.

“This autumn I saw Álvaro Urbano’s installation at the Sculpture Centre in New York […]. The installation uses time and destruction as a material to be seen and exposed. In the age of surveillance, satellite imagery and digital photography, can anything really disappear from memory forever?”. Read the full article in Art Review.

This Saturday, December 7, the talk Afterlives with Álvaro Urbano, Jess Wilcox, and Jeremy Johnston  will take place in the margin of Tableau Vivant by Álvaro Urbano,  at the Sculpture Center from 2-4pm, in New York, USA.

Ficciones. Narratividad en el arte contemporáneo is the  exhibition curated by Ferran Barenblit at MAZ, Museo de Arte de Zapopan, in Jalisco, Mexico. The exhibition will be open from November 29, 2024 to April 20, 2025. 2025. This show includes works by Jorge Méndez Blake and Teresa Solar Abboud.

Travesía Cuatro will be at booth D22 at Art Basel Miami Beach, Miami Beach, at the Convention Center, Miami Beach, Florida.
Private days: December 4 – 5
Public days: December 6 – 8
Artists: Álvaro Urbano, Teresa Solar Abboud Donna Huanca, Manuel Solano, Ana Prata, John Isaacs, Jorge Méndez Blake, Milena Muzquiz, Willa Wasserman, Sara Ramo, Ángela de la Cruz, Jorge Eielson, Eleonore Koch and Gonzalo Lebrija

Álvaro Urbano incorporates a decommissioned public artwork-cum-furniture by American postminimalist artist Scott Burton in his new installation at New York’s SculptureCenter – prompting Jenny Wu to question what happens to a work when it’s displayed outside of its intended context: ‘Urbano’s vision is at odds with Burton’s aim and risks obfuscating the dissembling and demotic spirit of the latter’s public art. Find the complete article on November’s issue of ArtReview.

“[Álvaro] Urbano, the Berlin artist, exhumed another decommissioned Burton work, “Atrium Furnishment,” from the storage facility where it has been collecting dust for years”. Read the complete article in The New York Times.

“By great luck, I managed to make it to one musical event: a hybrid performance/installation by Alexandre Estrela that ZDB (Galeria Zé dos Bois) put on in the Teatro São Luiz. It’s a difficult piece to explain […]”. The complete Notes on Lisbon: the scourge of tourism and the resilience of culture in Futurism Restated.

This show was selected as part of New York Oomph—a curated roundup of the best contemporary art exhibitions and events held by galleries, museums, and institutions in town during ADAA: The Art Show, New York, October 2024. “The exhibition features Urbano’s choreographed sculptural interpretation of a public artwork by Scott Burton—a sculptor, performance artist, and writer critical to New York scenes in the 1970s and ’80s, before he died of HIV-related illness in 1989—that was rescued from destruction and now faces an uncertain future.” You can read the full article in Mousse Magazine.

In the Museum of Modern Art in Warsaw, Poland, nine works of art are now on display, including Mariela Scafati’s Mobilization as part of PREVIEW: THE MSN WARSAW COLLECTION. The exhibition is an invitation to get to know and experience the museum’s new building and it’s collection. The exhibition will be on view through November 9, 2024.

“[Álvaro] Urbano, undertaking a kind of archaeology that gives [Scott] Burton’s sculpture a second life, has installed its remaining chunks in the gallery, in rings that evoke the format of the original installation. In this act of resuscitation, Urbano stewards a queer archive that has been largely forgotten […]”. Read the article in The New York Times.

Hors Pistes 8th edition. New ruralities is now presented at the Centre Pompidou Málaga, Spain. The exhibition presents nine video and photographic works, including two works by Asunción Molinos Gordo, as a set of images and sounds that re-enchant our vision of the countryside. The exhibition will be on view until January 13, 2025.

Mariela Scafati presents an exhibition in dialogue with Helio Oiticica, for the first edition of Pivô’s Gallery Residency. Beijo will be open at Pivô, São Paulo, Brazil, until December 14th, 2024.

“[Álvaro] Urbano’s intervention raises a question that many of these messy works also begin to approach: Why don’t we spend more time turning our collective trash, excess, errors, and ruin into beauty?”. Read the full article at CULTURED.

Jorge Eielson is part of the exhibition Une brève histoire de fils, a group show of 17 Latin American artists. Curated by Domitille d’Orgeval, the exhibition will be open from October 10, 2024 to January 16, 2025 at La Maison de l’Amérique latine, Paris, France.

Alexandre Estrela opens A NATUREZA ABORRECE O MONSTRO, a solo exhibition curated by Bruno Marchand at Culturgest, Lisbon, Portugal. The exhibition will be on view from October 12, 2024 until February 2, 2025.

LUNAR ENSEMBLE FOR UPRISING SEAS by Álvaro Urbano & Petrit Halilaj, co-commissioned by TBA21–Academy and Audemars Piguet Contemporary, will be on view at MACBA Museu d’Art Contemporani de Barcelona, Spain, from October 11, 2024 until January 12, 2025.

SKIN PAINTEENS is Donna Huanca’s second solo exhibition in Vienna, Austria, this time at the Nitsch Foundation. The show will be open from October 11 until December 20, 2024.

“You realize that people were thinking in a bigger, cosmic way, while now it feels like we’re just trapped in technology. That’s important, obviously, but it seems to be mimicking what already exists in nature. Many of these new systems are flawed because they attempt to replicate something that has already been done. I’m not saying not to try, but it feels like a battle that needs to unfold. It’s a wait-and-see moment for me. In the meantime, we’re still human; we still have bodies, and we need to experience things. That’s what makes us feel alive”. Read the interview at Arterritory.

EL GRAN POEMA INEXACTO DEL SIGLO XX is the installation by Jorge Méndez Blake presented at the National Library of Colombia, in Bogotá, on the occasion of the Unconventional Festival 2024. The installation can be visited until October 3.

Quinze Anos de Amor na República dos Pangolins is the group exhibition at Kuntshalle Lissabon, in Lisbon, Portugal, featuring Teresa Solar Abboud. The exhibition curated by Filipa Ramos will be open until December 14, 2024.

UTOPIC CELLS is Donna Huanca’s solo institutional exhibition in the Baltics, at the Zuzeum Art Center in Riga, Latvia. Huanca’s works are part of the Zuzāns Collection and inspired this project, created especially for Zuzeum and the show can be visited from September 20 until November 24, 2024.

OBRAS DE LA COLECCIÓN JUMEX is the group exhibition in which you can see Big lamento (2008) by Gonzalo Lebrija is participating. The exhibition will be open until September 29th, at Museo Jumex, Mexico City, Mexico.

TABLEAU VIVANT is the current exhibition by Álvaro Urbano at Sculpture Center, New York, USA. On  the show, Urbano focuses on a potential ruin, or a ruin in progress – a public artwork by the American sculptor Scott Burton (1939–1989) that was rescued from destruction and now faces an uncertain future. It will remain on view until March 24, 2025.

Vai, via, saudade is the groupshow curated by Cristiano Raimondi featuring the work of Ana Prata and Eleonore Koch. The exhibition can be visited until September 30 at the Museo Madre, Naples, Italy.

“[Giovanni Carminee, curator of Unlimited, section at Art Basel] told us about some of his favourite works, “getting back to the humanity of art and the human being as the centre of art”. Talking about, Teresa Solar Abboud, Tunnel Boring Machine (Transformation Figure) (2024), Carminee says: “these sculptures live between the natural and the unnatural, somehow both menacing and welcoming at the same time.” Read the complete article in The Art Newspaper.

Mariela Scafati participates in the group exhibition Baile Circular, at MUNTREF, in Buenos Aires, Argentina. The exhibition, curated by Juliana Caffé and Juliana Gontijo, will be open from June 8 to October 13, 2024.

Travesía Cuatro is delighted to take part in Art Basel 2024. For this edition, our booth includes works by Manuel Solano, Mariela Scafati, Jorge Eielson, Eleonore Koch, Álvaro Urbano, Ana Prata, Asunción Molinos Gordo, Donna Huanca, Jorge Méndez Blake, Milena Muzquiz, Sara Ramo and Teresa Solar Abboud.

Find us at Galleries Section – Booth R08, Messe Basel Messeplatz 10, 4058 Basel, Switzerland.

“Spanish artist Teresa Solar Abboud investigates the sculptural qualities of theatrical spaces as well as the subterranean realm as a place of mysterious encounters, in order to propose new modes of interaction and existence.” Read more about Teresa Solar Abboud’s participation at Art Basel Unlimited here.

With AT THIS POINT IN MY LIFE (I’LL HAVE THE CALAMARI), the G2 Kunsthalle, in Leipzig Germany, is showing the special solo exhibition by the artist Friedrich Kunath, born in Chemnitz in 1974, from June 7 to September 8, 2024.

Spin a Yarn is a group exhibition that explores textile fiber art from antiquity to contemporary times. This exhibition, curated by Estrellita Brodsky, includes work by Peruvian artist Jorge Eielson and can be visited at Guild Hall, New York, USA, until 14 July, 2024.

Manuel Solano (1987, Mexico City) grew up in Satélite –in the metropolitan area of Mexico City– surrounded by icons of the Mexican metropolis and pop images, in a tacit quest to find elements that would showcase her own subjectivity. Throughout her life, she has worked with installation, video, and painting. Her artistic practice has always been intertwined with autobiographical experiences in which the characters and spaces reflect her interests, longings, and insecurities.

“Visiting this exhibition implies being willing to delve into an archaeological curiosity that freely associates and pays attention to detail. Although primarily constructed with identifiable figures, a thick layer of solidified ash dramatically alters all its visual and discursive properties.” Read the complete review at ONDA MX.

‘Inside Heaven: selection of the Collegium Collection‘ is the group exhibition in which Jorge Méndez Blake will take part. The exhibition, curated by Aldones Nino,  will be open from July 13 to October 18, 2024, at Instituto Cultural de México en España, Madrid.

Asunción Molinos Gordo will be part of the third edition of the Biennale Matter of Art that will take place from June 14, 2024, to September 29, 2024, in the Grand Hall of the National Gallery Prague and other venues. The project is curated by Katalin Erdődi and Aleksei Borisionok.

Ecologies of Peace is a group exhibition featuring Álvaro Urbano, co-organized by TBA21 Thyssen-Bornemisza Art Contemporary and C3A Centro de Creación Contemporánea de Andalucía, in Córdoba, Spain. Curated by Daniela Zyman it will be open from April 26 this year until March 30, 2025.

THREADS TO THE SOUTH is the group exhibition curated by Anna Burckhardt Pérez at the The Institute for Studies on Latin American Art, in New York, USA.  This show features the work of Jorge Eielson along with other nineteen other artists who create a relationship between belonging, identity, and territory in Latin America. Until July 27th.

“Hope, in other words, has ceased to be a cloud up in the sky; it has become a dynamic force full of paradoxes at the core of our tired Western societies. We have somehow stopped creating tools and technologies to protect the transmission of crucial values and the possibility of coexistence, and instead have become dreamers of quick escapes. ” Read the full article that examines the innocence behind Álvaro Urbano and Petrit Halilaj’s practice on Mousse.

After its itinerancy at Museo Cabañas, Proscenios Literarios de Jorge Méndez Blake will open at MARCO, Monterrey NL on April 18, 2024. The artist’s retrospective, curated by Victor Palacios, will be on view through October 6th, 2024.

The Museu de Arte Contemporânea da Universidade de São Paulo, Brazil,  is opening Eleonore Koch: Em Cena, curated by Fernanda Pitta this Saturday, April 6th, will be on view MAC USP until July 17th. The exhibition includes works from public collections and a large number of never-before-seen works from private collections, giving a unique insight into the artist’s work.

Disorders – Excerpts from the collection Antoine de Galbert is the group exhibition at MAC Lyon – Lyon, France – in which John Isaacs is currently participating. The show, in which 250 pieces selected by Antoine de Galbert himself,  will be on view until Sunday 7 July 2024.

Ampliación a la Biblioteca Vasconcelos (2009), by Jorge Méndez Blake, is currently exhibition as part of 30 Years in the Art World. A review of the FEMSA Biennial, held at the Museo de Arte e Historia de Guanajuato, in León, Guanajuato, Mexico. This edition of the biennial is curated by Daniel Garza Usabiaga and will be open until July 14, 2024.

Pasado Futurista is the upcoming exhibition by Mateo López and curated by  María Iovino. The show will be on view at  NC Arte Bogotá, Colombia from March 16th until May 25th, 2024.

“In ‘Uber: Déjame entrar’ (‘Uber: Let Me In’) at Travesía Cuatro in Mexico City, the artist – whose work will also be included in the main exhibition of the upcoming Venice Biennale – presents a new body of five, wall-hung works. Rather small by her standards, they are no less visually powerful and loaded with art-historical references”. Read the full article on Frieze.

Find Travesía Cuatro at Booth 9B04 at ARCOmadrid, IFEMA , Av. del Partenón 5, Barajas, 28042, Madrid, Spain.
VIP Preview: March 6 & 7
Public days: March 8 – 10
Travesía Cuatro is delighted to take part in the 43˚edition of ARCOmadrid with the work of Asunción Molinos Gordo, Teresa Solar Abboud, Álvaro Urbano, Mateo López, Donna Huanca, Jose Dávila, Ana Prata, Gonzalo Lebrija, Eleonore Koch, Jorge Méndez Blake, Jorge Eielson, Sara Ramo, Charlie Billingham, Guga Szabzo, Alexandre Estrela and Elena del Rivero.

Asunción Molinos Gordo will be participating in the Global Art Forum 17, Whether or not in the discussion Weather Forms along with Monira Al Qadiri. This event of  Art Dubai’s flagship transdisciplinary summit will take place on February 29 at  Art Dubai, Auditorium Mina A’Sala from 17:40 hr.

Artists and Farmers is the group exhibition featuring Asunción Molinos Gordo that explores the connection between artists and farmers through the current challenges facing agriculture. The exhibition can be visited from February 29th until August 25th 2024 at Les Abattoirs, Toulouse, France.

The 24th Biennale of Sydney, titled Ten Thousand Suns, ignites its transformative power of art across six iconic Sydney locations.  In this edition, Álvaro Urbano and Petrit Halilaj will be participating at White Bay Power Station.

Alexandre Estrela participates in Improbable Anagrams, the first exhibition of the Serralves Collection to be presented in the recently-inaugurated Museum extension, the Álvaro Siza Wing at Serralves Foundation, Oporto, Portugal. The exhibition can be visited from February 26th, 2024.

When Forms Come Alive: Sixty Years of Restless Sculpture is the group exhibition in which Teresa Solar Abboud is currently participating. The show at The Hayward Gallery in London, UK, spans over 60 years of contemporary sculpture and will be open until May 6, 2024.

Pájaro sueño de máquina by Teresa Solar Abboud curated by Tania Pardo and Claudia Segura, will be presented at the Centro de Arte 2 de Mayo, Madrid, Spain from February 17 to June 9, 2024 and will later travel to MACBA in Barcelona and the Fondazione Sandretto Re Rebaudengo in Torino.

The next solo exhibition of Asunción Molinos Gordo Dèjá Vécu. Lo ya vivido, will take place at the Centro de Arte 2 de Mayo in Madrid, Spain. The exhibition, curated by Andrea Pacheco González, can be visited from February 17 until June 9, 2024.

Curated by Selen Ansen, the exhibition Suppose You Are Not explores the possibilities of restaging and articulating the affinities created between distinct objects by means of a collector’s desires and endeavors. This group exhibition features John Isaacs work and is now on view at ARTER, Istanbul, Turkey. Until December, 2024.

“That Huanca would find inspiration in the festival’s rich cultural history and sense of spiritual communion makes sense: it’s from these same base themes that her work is alchemized.” Read more at ArtNet.

“In this black expanse of projection, the paintings simulate movement, expanding and contracting, as if in systole and diastole, thus giving us the impression of life”, explains Rômulo Moreas’ text on Alexandre Estrela’s solo show ‘Flat Bells’, now on view at MoMA, NY.  You can read the complete article on Contemporânea (text originally in Portuguese).

Sense of Place is Jose Davila’s solo exhibition at Artlecta, Guadalajara, Jalisco, Mexico. The exhibition rescues a project of public and itinerant work in Los Angeles, which resulted in a book of the same name, published by Getty Publications. The show is on view through February 2024.

Find Travesía Cuatro at Booth B34 at Art Basel Miami Beach, Miami Beach, Convention Center, Miami Beach, Florida.
Private days: December 6 & 7
Public days: December 8 – 10
Artists:Álvaro Urbano, Teresa Solar Abboud, Mateo López, Donna Huanca, Jose Dávila, Ana Prata, Gonzalo Lebrija, Eleonore Koch, Jorge Méndez Blake, Milena Muzquiz, Goro Kakei, Sara Ramo, Mariela Scafati, Jorge Eielson, Guga Szabzon, Sofía Bassi and Alexandre Estrela.

ARGENTINA, WHAT THE NIGHT TELLS THE DAY is the group exhibition featuring Mariela Scafati that will open on November 18 at the Padiglione d’Arte Contemporanea, in Milan, Italy. The show is curated by Andres Duprat and Diego Sileo and will be open until February 11, 2024.

Asunción Molinos Gordo will be part of the group exhibition A TERRA DI U CUMUNU, at FRAC CORSICA, Corte, France, with her piece ¡Cuanto río allá arriba! (2022). The exhibition will be open from November 8, 2023 to March 21, 2024.

“At a certain point I felt that I was really working on an artificial being with several parts and each of them had their own rhythm, way of living, that could actually live separately. But I was interested because they had singularities, but also, they could collaborate”. Read the full interview here.

Jorge Méndez Blake will present Proscenios Literarios, a solo exhibition, at the Museo Cabañas, Guadalajara, Jalisco, Mexico. The exhibition, curated by Victor Palacios, will be open from November 18, 2023, through March 12, 2024.

Jorge Eielson participates in the group exhibition ‘Antes de América. Fuentes originarias en la cultura moderna’, at the Juan March Foundation, Madrid, Spain. The exhibition will remain open until March 10, 2024.

The monograph Memory of a Telluric Movement, by Jose Dávila, comprises his homonymous exhibition from 2022 at Haus Konstruktiv in Zürich, as well as an interview with the show’s curator Sabine Schaschl and a text by Britta Schröder. Published by Impronta Casa Editora and designed by Luisa Mendoza and Alejandro Siordia.

Opening October 18, the exhibition Patchwork: Charpenel Guadalajara Collection will be on view at Nave Generadores and Fototeca at Centro de las Artes CONARTE, Monterrey, Mexico. Curated by Michel Blancsubé, the exhibition includes works by Gonzalo Lebrija, Jose Dávila and Jorge Mendez Blake.

Water is the group exhibition in which Asunción Molinos Gordo is participating with her project ¡Cuánto río allá arriba! while Jose Dávila is part of the show with Untitled (Woman in Bath). The exhibition is presented at Boghossian Foundation, in Brussels, Belgium and can be visited from October 19th, 2023, to March 10th, 2024.

This Friday, October 20, at 19:00hrs, the TEA Tenerife Espacio de las Artes will offer a talk about Sofía Bassi, linked to Insolation, the current exhibition in which several pieces by the artist are now on view.

En el jardín, is a group exhibition featuring works by Álvaro Urbano and Luighi Ghirri, curated by Magnolia de la Garza, which proposes a review of the Isabel and Agustín Coppel collection, based on the concepts of garden and landscape. It will be open from October 20, 2023 to March 3, 2024 at MARCO, Monterrey, Mexico.

“Saba’s Memory Trail or The Composite of Time” is a public artwork by Sara Ramo at Saba’s (Netherlands) new fire station. All the inhabitants of the island were invited to participate in the creation of the installation that is now translated into a collective monument.

Mariela Scafati presents Windows (2011) in Un lento venir viniendo – Capítulo II, a group exhibition at the Oxenford Collection, at Instituto Tomie Ohtake, in São Paulo, Brazil. The show organized by the cultural producer, Act.,  directed by Fernando Ticoulat and João Paulo Siqueira Lopes, and curated by Argentine poet and curator Mariano Mayer. It can be visited until November 19, 2023.

Jose Dávila is part of  the group show The Echo of Picasso, curated by Eric Trounce at Museo Picasso, in Málaga Spain. The exhibition, organized within the framework of the international celebrations marking the fiftieth anniversary of the death of Pablo Picasso (1881–1973), will be on view until January 3rd, 2024. 

The first exhibition in Europe in which Sofía Bassi participates will be at TEA Espacio de las Artes, Canary Islands. The exhibition Insolación, curated by Gilberto González, can be visited from September 29th, 2023, to April 21st, 2024.

Álvaro Urbano presents Acto I: La eterna adolescencia, at TEA Espacio de las Artes, Tenerife, Canary Islands, from September 29, 2023 until April 21st, 2024. Through an installation, Urbano explores the eternal adolescence, as part of the human condition.

Alexandre Estrela presents Flat Bells, his first New York show, at the Kravis Studio, Museum of Modern Art MoMA. The exhibition, curated by Sophie Cavoulacos, will be on view from November 4th, 2023, until January 7th, 2024.

The publication Mateo López (El tiempo es la idea), published by This Side Up, features texts by researcher and curator Julien Petit and writer and curator Manuel Cirauqui along with a collective of artists, curators and designers, formed around the Eina Idea program in Barcelona. 

The publication was produced with the support of Travesía Cuatro, Casey Kaplan Gallery, Galería Luisa Strina and Goodman Gallery.

life on the surface is Teresa Solar Abboud’s first solo show in Portugal. It will be exhibited at Kunsthalle Lissabon, Lisbon, Portugal from September 20th until November 25th, 2023.

“Caminar alrededor del tiempo” is the exhibition that concludes the residency of artist Mateo López at Reserva Guatoc. The show is also the result of the artist’s journeys through  Santander during the first half of 2023.  It will be on view through September 24, 2023, at La Bodega La Colombiana, in Barichara, Colombia.

Travesía Cuatro is thrilled to share that we’ll be located at Booth A2, COEX,  513 Yeongdong-daero, Gangnam-gu, Seoul for Frieze Seoul, 2023.

Private days: September 6-7
Public days: September 8-9

Artists: Milena Muzquiz, Jose Dávila, Donna Huanca,  Ana Prata, Mariela Scafati, Jorge Méndez Blake, Teresa Solar Abboud, Álvaro Urbano, Charlie Billingham and Elena del Rivero and  new collaborations with Guga Szabzon, Sofía Bassi) and Joeun Kim Aatchim.

SCAR TISSUE (BLURRED EARTH) is Donna Huanca’s major institutional solo presentation in New York, USA. The show comprises paintings, sculpture, olfactory and sound works, punctuated by a series of live performances, each one unique and especially commissioned for the occasion. It will be on view at Faurschou NY, from October 21st, 2023, until, July 14th, 2024. 

Maria Lai and Jorge Eielson 100thousand stars is the duo exhibition that is currently on view at MAN Museo d’Arte di Nuoro, Italy. Curated by Elisabetta Masala, based on an idea by Marina Affanni and Chiara Gatti, the show will be open until October 1st, 2023.