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Guadalajara, Mexico
Scenes with flat objects
30 Jan 2016 - 23 Apr 2016
Scenes with Flat Objects
Travesia Cuatro Guadalajara, 2016
Scenes with Flat Objects
Travesia Cuatro Guadalajara, 2016
Scenes with Flat Objects
Travesia Cuatro Guadalajara, 2016
Scenes with Flat Objects
Travesia Cuatro Guadalajara, 2016
Scenes with Flat Objects
Travesia Cuatro Guadalajara, 2016
Scenes with Flat Objects
Travesia Cuatro Guadalajara, 2016
Scenes with Flat Objects
Travesia Cuatro Guadalajara, 2016
Scenes with Flat Objects
Travesia Cuatro Guadalajara, 2016
Scenes with Flat Objects
Travesia Cuatro Guadalajara, 2016
Tinku Styx
2016. Textile, oil, fur, scarred leather, rubber, plastic, wood, silicon, plexiglass.
Chesters (kandi)
2016. Textiles, oil, scarred leather, plastic, wood, silicone and plexiglass.
Debora Delamar Corp.
Timeless Designs, 2016
Lucia Elena Prusa
Untitled, 2015
Scenes with Flat Objects
Travesia Cuatro Guadalajara, 2016
Scenes with Flat Objects
Travesia Cuatro Guadalajara, 2016
Elena del Rivero
Letter from Home in Cerulean, 2014
Elena Bajo
Of the Attempt to Impose a Static Order on a Dynamic Social and Natural Milieu, 2015-2016
Scenes with Flat Objects
Travesia Cuatro Guadalajara, 2016
Tania Pérez Córdova
Dropped Things Are Bound to Sink (Man Flexing his Biceps to Show off his Strength), 2016
Scenes with Flat Objects
Travesia Cuatro Guadalajara, 2016
Scenes with Flat Objects
Travesia Cuatro Guadalajara, 2016
Scenes with Flat Objects
Travesia Cuatro Guadalajara, 2016
Scenes with Flat Objects
Travesia Cuatro Guadalajara, 2016
Debora Delmar Corp.
Travesia Cuatro Guadalajara, 2016. Detail. Installation view.
Debora Delmar Corp.
Debora Delmar Corp.
Innovation and simplicity, 2016
Debora Delmar Corp.
Elena del Rivero

Debora Delmar Corp.
Donna Huanca
Elena Bajo
Elena del Rivero
Lucia Elena Prusa
Tania Pérez Córdova

This is a story of weightless facts.The events that make up this story take place on the limits of diverse objects. These objects are the consequences of past events.

In this story, colors and shapes are actions; contours and silhouettes are deliberate decisions; transparencies and opacities are arguments; glares and shadows are questions; variations on flatness are dialogues.

This story is a sequence of fragile acts that achieved to maintain the necessary degree of permanence to constitute themselves as narrative developments.

The staging is set according to a sensitive range in which spatial and temporal dimensions are involved in an emphatic fragmentation. Objects and bodies have come to an arrangement.

1. Accumulation of dust 2. A man flexes his biceps to show off his strength 3. An Internet image is enlarged x100 its original size. 4. A leather jacket is worn regularly in a European city 5. The sunlight is reflected through a north-facing window 6. A portable section of color is shipped by a delivery company 7. Unidentified liquids spill on a surface 8. George Clooney pretends to drink a Fortissio Lungo whilst inside a photo studio 9. A piece of Cinefoil absorbs a moderate amount of light in an interior space 10. Silicon drops are pressed by two sheets of Plexiglas 11. A portable section of color inside a suitcase crosses the Atlantic Ocean 12. George Clooney is photographed while pretending to have a conversation with another person on a Mediterranean island 13. An image showing a small bloodstain is magnified x100 revealing a uniform neon pink hue 14. There are some camera films sat by a window 15. A piece of canvas is mended 16. A leather glove is filled with plaster 17. An amount of soapless paraben-free Avène gel cleanser is poured on a glass surface that has been exposed to the air of Mexico City for a certain period of time.

Scenes with Flat Objects
Travesia Cuatro Guadalajara, 2016
Scenes with Flat Objects
Travesia Cuatro Guadalajara, 2016
Tania Pérez Córdova
Dropped Things Are Bound to Sink (Man Flexing his Biceps to Show off his Strength), 2016
Scenes with Flat Objects
Travesia Cuatro Guadalajara, 2016
Debora Delmar Corp.
Travesia Cuatro Guadalajara, 2016. Detail. Installation view.
Elena del Rivero
Letter from Home in Cerulean, 2014
Lucia Elena Prusa
Untitled, 2015
Tinku Styx
2016. Textile, oil, fur, scarred leather, rubber, plastic, wood, silicon, plexiglass.