We are thrilled to welcome Ángela de la Cruz to Travesía Cuatro. From the beginning of her career, De la Cruz has been deeply engaged in exploring the nature of painting. What defines painting? What are its material limits? And, crucially, when does it cease to be painting and become something else?
Travesía Cuatro is pleased to announce the representation of Virginia Chihota (1983, Chitungwiza, Zimbabwe), in collaboration with Tiwani Contemporary. Her practice reflects on intimacy, faith, and the human figure, addressing themes such as pregnancy, parenting, kinship, marriage, grief, and spiritual questioning.
“Urbano’s work speaks to the need for each generation to reinvent the past and reimagine its ideals. Only in this way can the past be brought from the abstract world to the concrete one we touch and tread every day” says Javier Montes. Read the full article in Artforum.
“[…] These are tough times, and everyone can relate to that, even if each person experiences it differently. For Kunath, it is that ability to hold in his paintings this sense of discomfort and vulnerability alongside pleasure and beauty. It gets at the heart of the human predicament”. Read the article in Artnews by Kate Brown.
Gonzalo Lebrija and Jorge Méndez Blake went to the Costa da Morte and brought back something they did not know they were looking for: lighthouses. Or rather: one imaginary lighthouse, made up of little bits of all the lighthouses—like a synthesis of all of them into one.
Kunstverein Hannover presents Self-Portrait as a Pregnant Woman, Teresa Solar Abboud’s first institutional solo exhibition in Germany. The exhibition brings together a series of key works and presents two new commissions: an extension of the Tuneladora series and a new group of self-portraits that give the exhibition its title. It will be on view until March 1, 2026.
Asunción Molinos Gordo is participating in the group exhibition Artes de la Tierra (Arts of the Earth), which offers a reinterpretation of the transformations that artistic practices have undergone in recent decades against the backdrop of an increasingly evident and overwhelming environmental crisis. The exhibition, which is being held at the Guggenheim Bilbao, will be open to the public from December 5, 2025, to May 3, 2026.
Encrucijadas: An Encounter Between Artists and Collectors from China and Spain is an exhibition that brings together female artists—including Sara Ramo—whose works form part of important private collections promoted by women in both countries. The exhibition, curated by Lucia Ybarra and Yan Yan, can be visited at the Today Art Museum in Beijing, China, until February 1, 2026.
Spanish artist Claudia Pagès Rabal examines colonial violence and global power dynamics. Vienna’s MUMOK museum is now presenting an exhibition dedicated to her work. The report is available—in German—on ORF ON.
Feudal Holes is the solo exhibition by artist Claudia Pagès Rabal at mumok – museum moderner kunst stiftung ludwig wien – in Vienna, Austria. The exhibition, curated by Franz Thalmair, will be open until May 17, 2026, and will be accompanied by a catalog covering this exhibition and Five Defense Towers, which was presented by Chisenhale Gallery in early 2025.
“So much of Solano’s prolific pictorial output has this type of psychological patina: many of the images she conjures on her large, unstretched canvases are derived from mass culture, but infused with her own subjectivity, or reflections of parts of herself.” Read the full article in ArtReview.
The 14th edition of the Taipei Biennial, Whispers on the Horizon, opens on November 1 at the Taipei Fine Arts Museum. Curated by Sam Bardaouil and Till Fellrath, it brings together around 150 works by 72 artists, including Joeun Kim Aatchim and Álvaro Urbano. This edition features 34 new pieces, site-specific installations, as well as painting, sculpture, film, photography, and performance.
The Singapore Biennale 2025, pure intention, runs from October 1, 2025, to March 29, 2026, across various venues and public spaces. The exhibition invites visitors to explore the city’s many historical and cultural layers, featuring works by artists including Álvaro Urbano.
After its itinerancy in Bogotá, Pasado Futurista (Futuristic Past) by Mateo López will be presented at the Museo de la Tertulia in Cali, Colombia. Curated by Julien Petit, this exhibition takes drawing beyond its two-dimensional limits, transforming it into space and movement. The exhibition will be open to the public from October 27.
Reluctant Gardener, Territory #9, curated by Sofia Lemos, is a group exhibition that serves not as a reference but as an expression of ecology. The exhibition includes works by Álvaro Urbano and will be on display until February 8, 2026, at Culturgest, Porto, Portugal, after an itinerancy in Lisbon.
“Seemingly a world away, the local powerhouse gallery Travesía Cuatro presented a sleek show of stylised tropical landscapes by the rising Brazilian painter Rayana Rayo, which by the end of the week was already nearly sold out.” Read full article at The Art Newspaper.
Alien Queen / Strange Paradise is Manuela Solano’s first institutional solo exhibition in Mexico and will be presented at Museo Tamayo in Mexico City from October 9, 2025, to January 4, 2026. The exhibition brings together more than thirty large-format paintings created by the artist over a period of seven years.
“The piece, Mother Tongue (2025), will mark the [Teresa Solar Abboud’s] first time working with bronze, as well as her debut with a public U.K. institution. Later this fall she will also mount her first solo presentation in Germany at Kustverein Hannover.” Reed the full article here.
Fictions of Time features works from the Jumex Collection, including recent acquisitions and pieces never before exhibited at Museo Jumex, Mexico City. The exhibition includes works by Tania Pérez Córdova & Álvaro Urbano and will be on view from September 13, 2025, through February 8, 2026.
Under the theme In Minor Keys, following the project led by Cameroonian-Swiss curator Koyo Kouoh. Paper Tears, a work by artist Claudia Pagès Rabal curated by Elise Lammer, has been selected as the Catalan cultural contribution to the 61st International Art Exhibition of La Biennale di Venezia in the Eventi Collaterali section of the Biennale, organized by the Institut Ramon Llul.
Charlie Billingham’s installation Views on Floral Patterns at the Hayward Gallery Cafe in London. Charlie Billingham recently transformed the Hayward Gallery Cafe with his bespoke, hand-printed wall stamps inspired by 18th-century satirical prints which reimagine historical figures and scenes into playful, abstract compositions.
“Claudia Pagès Rabal’s practice intertwines words, bodies, music, and movement. “Five Defence Towers” marks Pagès’ first institutional solo exhibition in London and the premiere of a major new moving image commission”. Keep reading in MOUSSE.
Fictions of Display focuses on the work of Claes Oldenburg, alongside several recent acquisitions by MOCA, including pieces by Tania Pérez Córdova. This group exhibition is on view at MOCA Grand Avenue through January 4, 2026.
Travesía Cuatro and Almeida & Dale are pleased to announce the co-representation of the legacy of Eleonore Koch (1926, Germany – 2018, Brazil). Recognized as one of the most important Brazilian painters of the second half of the 20th century, Koch has gained increasing relevance both nationally and internationally through various exhibitions.
From medieval cisterns to Mediterranean trade, the artist uncovers the past through evocative text, immersive sound and dynamic choreography. Read the complete interview by Claudia Paès Rabal and Kyle Dancewicz in FRIEZE.
Shifting Landscapes is the group exhibition that includes Donna Huanca’s GUERRERA PROTECTORA (pacha), which is now part of the collection of the Whitney Museum of American Art, in New York, where the show can be visited until January 2026.