“The exhibition reveals that resistance can take many forms when freedom of expression is threatened by authoritarian regimes, an alarming reality that is repeating itself in various locations around the world today.” Read the complete review in Artforum.
The peasant, The Scholar, The Engineer is a retrospective exhibition of the artist and cultural researcher Asunción Molinos Gordo, curated by Nora Razian, at the Jameel Arts Centre in Dubai. The exhibition will be on view until September 21st, 2025.
“It was pouring with rain and the scheduled hour for the interview was nigh, leaving no time to find somewhere suitable for the conversation we were about to have over the phone with Mexican artist Manuel Solano. Exhausted by all the work that went into her exhibition Egogenesis – opening at Travesía Cuatro. Madrid, March 6 – spoke to us about intimacy and the difficult birth which came about after a confrontation with the Self […]”.Find the complete interview in Umbigo Magazine.
Solar Watch (2006), by Alexandre Estrela, will be part of the group exhibition Archaic Futures, curated by Andrea Torreblanca, at Museo Tamayo, CDMX, Mexico. The exhibition will be on view from April 24 to August 31, 2025.
Teresa Solar Abboud will be part of the group exhibition Over Land and Sea curated by Anna Nowak, which tells the migratory history of humanity, its present and its future, at the Kunsthaus Hamburg, in Germany. The exhibition will be on view from April 6 to July 7, 2025.
“Urbano’s site-specific installation probed the multifaceted output of Burton, whose work as a queer artist elaborating on Conceptual and post-Minimalist explorations of situations and behaviors has received considerable reevaluation in the past few years.” Read the full article in ARTFORUM.
Milena Muzquiz is currently featured in the group exhibition The Vessel Revisited: Fundamental Forms in Contemporary Ceramics at the Anne Noland Edwards Gallery at Torggler Fine Arts Center, Newport, Virginia, USA. The show is open to visitors until August 8th, 2025.
“Solar Abboud engages with not only the human, but also the geologic, the parasitic, the marine, the animal, and the mythical, citing a symbiosis and shared biological constitution that emerges from the soil.” Read the complete review in IMPULSE.
Bird Dream Machine is the third chapter of Teresa Solar Abboud’s retrospective. This exhibition is now on view at Fondazione Sandretto Re Rebaudengo, in Torino, Italy, and will be on view until October 12, 2025.
continents like seeds gathers the practices of La Chola Poblete, Niño de Elche and Pedro G. Romero at CARA Center for Art, Research and Alliances, New York. The group exhibition was curated by Manuela Moscoso and Marian Chudnovsk, and will be on view until May 18th, 2025.
Éramos felices y no lo sabíamos is the group show that includes works by Jorge Méndez Blake and Gonzalo Lebrija at Casa de México, in Madrid, Spain. The exhibition is part of the Jumex Collection, curated by Ixel Rion Lora, and can be visited until June 8, 2025.
Alexandre Estrela’s work Lazy Susan (Bookshelf Version), 2016, takes part of the group exhibition UMA DERIVA ATLANTICA AS ARTES DO SÉCULO XX , curated by Nuria Enguita, Marta Mestre and Mariana Pinto dos Santos, at Fundação Centro Cultural de Belém, in Lisbon, Portugal.
“When Mariela Scafati tackles a piece, exploration becomes the driving force behind her creative process. The first step consists of asking herself questions to push the boundaries of painting and take her outside of her comfort zone, something she also seeks to achieve with the public”. Keep reading in Iberia: talento a bordo.
Within the framework of ARCOmadrid 2025, VEINS (2024) by Álvaro Urbano was awarded as the winning work of the VIII Catalina D’Anglade Art Prize in the presence of Maribel López, director of the fair. In the words of the artist, the winning work reflects “the representation of a discreet place, a place of passage or waiting. On the street you wouldn’t stop to look at it, but for me it reflects the poetics of the moment”.
The City of Los Angeles Department of Cultural Affairs’ (DCA) will present Step & Repeat, a group exhibition curated by Nancy Meyer and John Weston. The show, that includes works by Milena Muzquiz, will be on view from March 6th at Los Angeles Municipal Art Gallery (LAMAG), USA.
Tania Pérez Córdova (1979, Mexico) lives and works in Mexico City. Her sculptural practice relates to the temporality and lifespan of objects. Conceiving her works as “situations,” Pérez Córdova creates sculptures and installations that consider the contextual relationships of everyday objects. She works with a wide range of materials, incorporating found objects and performance through networks of intimate, interpersonal exchanges.
Shifting Landscapes is the group exhibition that includes Donna Huanca’s GUERRERA PROTECTORA (pacha), which is now part of the collection of the Whitney Museum of American Art, in New York, where the show can be visited until January 2026.
Opening Somerset House at 25, London, Somerset House presents SOIL: The World at Our Feet, a landmark exhibition unearthing the wonder of soil, its unbreakable bond to all life, and the vital role it plays in our planet’s future. The group show includes artworks by Asunción Molinos Gordo, and will be on view from January 23rd, until April 13th, 2025.
Ficciones. Narratividad en el arte contemporáneo is the exhibition curated by Ferran Barenblit at MAZ, Museo de Arte de Zapopan, in Jalisco, Mexico. The exhibition will be open from November 29, 2024 to April 20, 2025. 2025. This show includes works by Jorge Méndez Blake and Teresa Solar Abboud.
The first episode of MEET POINT is dedicated to TRAVESÍA CUATRO gallery and features its directors Silvia Ortiz and Inés López-Quesada, who talk to us about the essence of being a gallery owner, their beginnings, their relationship with artists, their interest in creating bridges between Southern Europe and Latin America and the foundation of the space's three venues, the first one in Madrid and the other two located in Mexico, specifically in Guadalajara and Mexico City.
“[Álvaro] Urbano’s intervention raises a question that many of these messy works also begin to approach: Why don’t we spend more time turning our collective trash, excess, errors, and ruin into beauty?”. Read the full article at CULTURED.