We are thrilled to welcome Ángela de la Cruz to Travesía Cuatro. From the beginning of her career, De la Cruz has been deeply engaged in exploring the nature of painting. What defines painting? What are its material limits? And, crucially, when does it cease to be painting and become something else?
Travesía Cuatro is pleased to announce the representation of Virginia Chihota (1983, Chitungwiza, Zimbabwe), in collaboration with Tiwani Contemporary. Her practice reflects on intimacy, faith, and the human figure, addressing themes such as pregnancy, parenting, kinship, marriage, grief, and spiritual questioning.
“Urbano’s work speaks to the need for each generation to reinvent the past and reimagine its ideals. Only in this way can the past be brought from the abstract world to the concrete one we touch and tread every day” says Javier Montes. Read the full article in Artforum.
“[…] These are tough times, and everyone can relate to that, even if each person experiences it differently. For Kunath, it is that ability to hold in his paintings this sense of discomfort and vulnerability alongside pleasure and beauty. It gets at the heart of the human predicament”. Read the article in Artnews by Kate Brown.
Gonzalo Lebrija and Jorge Méndez Blake went to the Costa da Morte and brought back something they did not know they were looking for: lighthouses. Or rather: one imaginary lighthouse, made up of little bits of all the lighthouses—like a synthesis of all of them into one.
Kunstverein Hannover presents Self-Portrait as a Pregnant Woman, Teresa Solar Abboud’s first institutional solo exhibition in Germany. The exhibition brings together a series of key works and presents two new commissions: an extension of the Tuneladora series and a new group of self-portraits that give the exhibition its title. It will be on view until March 1, 2026.
Asunción Molinos Gordo is participating in the group exhibition Artes de la Tierra (Arts of the Earth), which offers a reinterpretation of the transformations that artistic practices have undergone in recent decades against the backdrop of an increasingly evident and overwhelming environmental crisis. The exhibition, which is being held at the Guggenheim Bilbao, will be open to the public from December 5, 2025, to May 3, 2026.
Encrucijadas: An Encounter Between Artists and Collectors from China and Spain is an exhibition that brings together female artists—including Sara Ramo—whose works form part of important private collections promoted by women in both countries. The exhibition, curated by Lucia Ybarra and Yan Yan, can be visited at the Today Art Museum in Beijing, China, until February 1, 2026.
“So much of Solano’s prolific pictorial output has this type of psychological patina: many of the images she conjures on her large, unstretched canvases are derived from mass culture, but infused with her own subjectivity, or reflections of parts of herself.” Read the full article in ArtReview.
The 14th edition of the Taipei Biennial, Whispers on the Horizon, opens on November 1 at the Taipei Fine Arts Museum. Curated by Sam Bardaouil and Till Fellrath, it brings together around 150 works by 72 artists, including Joeun Kim Aatchim and Álvaro Urbano. This edition features 34 new pieces, site-specific installations, as well as painting, sculpture, film, photography, and performance.
The Singapore Biennale 2025, pure intention, runs from October 1, 2025, to March 29, 2026, across various venues and public spaces. The exhibition invites visitors to explore the city’s many historical and cultural layers, featuring works by artists including Álvaro Urbano.
Under the theme In Minor Keys, following the project led by Cameroonian-Swiss curator Koyo Kouoh. Paper Tears, a work by artist Claudia Pagès Rabal curated by Elise Lammer, has been selected as the Catalan cultural contribution to the 61st International Art Exhibition of La Biennale di Venezia in the Eventi Collaterali section of the Biennale, organized by the Institut Ramon Llul.
Charlie Billingham’s installation Views on Floral Patterns at the Hayward Gallery Cafe in London. Charlie Billingham recently transformed the Hayward Gallery Cafe with his bespoke, hand-printed wall stamps inspired by 18th-century satirical prints which reimagine historical figures and scenes into playful, abstract compositions.