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“The works in Venganza en flor are an invitation to contemplate the constant dialogue between control and accident — two forces that govern Milena Muzquiz’s artistic practice. Through a combination of pictorial and ceramic techniques, while reframing the use of utilitarian objects, the artist seeks to evoke in the viewer experiences and memories tied to a certain material nostalgia.” Continue reading in Orbita Art Magazine.

“Truth be told, the name came about in early 2001, in New York, for practical reasons. I needed a way to filter out the excess paper in my mailbox. I came up with a company called RedSkyFalls. Anything that arrived from that sender went straight into the unopened trash” says Alexandre Estrela to Matteo Bergamini on the reason why he titled the project he will be presenting at the Venice Biennale. Read the full interview at Umbigo.Space.

“At Ikon Gallery, Birmingham, the artist’s career-spanning works behave like a dancer – precise, often painful and profoundly beautiful, even in moments of collapse. The two sculptures that greet us on the upper floor of Birmingham’s Ikon Gallery have something alive about them.”  Read ful review by Tom Denman on Upright by Ángela de la Cruz in Frieze.

“Crumpled and crumbling, Ángela de la Cruz’s artworks are all on the verge of collapse. Her canvases are broken and folded in on themselves, her sculptures are barely assembled junk, and look as if they might turn right back into rubbish if there’s a strong breeze.” Keep reading at The Guardian.

IKON in Birmingham, United Kingdom, presents UPRIGHT, an exhibition featuring rarely seen works by artist Ángela de la Cruz, alongside a new project developed in collaboration with the Birmingham Royal Ballet. The exhibition runs through August 6, 2026.

RedSkyFalls by Alexandre Estrela will represent Portugal at the 61st International Art Exhibition — La Biennale di Venezia. The project is curated by Ana Baliza and Ricardo Nicolau and it can be seen at Fondaco Marcello from May 9th until November 22nd, 2026.

Under the theme In Minor Keys, following the project led by Cameroonian-Swiss curator Koyo Kouoh. Paper Tears, a work by artist Claudia Pagès Rabal curated by Elise Lammer, has been selected as the Catalan cultural contribution to the 61st International Art Exhibition of La Biennale di Venezia in the Eventi Collaterali section of the Biennale, organized by the Institut Ramon Llul.

Centro Andaluz de Arte Contemporáneo (CAAC), Seville, Spain, presents, from March 19 to September 6, 2026, the exhibition “Kupinduka” by artist Virginia Chihota. Curated by Jimena Blázquez, the show is the artist’s first major solo exhibition in a European institution. The project brings together a group of works created specifically for the CAAC.

“My interest in art begins when works awaken a kind of resonance and make you feel something. Art as a non-linear language capable of generating that sort of magnetism. For me everything becomes an ingredient: history, time, the space where the work is exhibited – not only formal elements” says Tania Pérez Córdova on the interview with Jimena Cervantes on “El aire, hoy”  for Onda MX.

Based on a selection of works from the Jumex Collection, Diffuse Visions evokes a threshold where the boundaries between wakefulness and sleep become porous. The group exhibition includes work by Teresa Solar Abboud and can be visited at the Jumex Museum, Mexico City, until July 19, 2026.

La Chola Poblete: Pop Andino is the artist’s first solo exhibition in Brazil at MASP, Museu de Arte de São Paulo Assis Chateaubriand. It is curated by Adriano Pedrosa, artistic director, and Leandro Muniz, assistant curator at MASP. It will be on view from March 6 to August 2, 2026.

Spore Initiative in Berlin presents the exhibition How the Soil Remembers, featuring works by Álvaro Urbano. The show explores memory and the traces of landscape through a contemporary lens, and will be on view to the public until May 3, 2026.

We are thrilled to welcome Ángela de la Cruz to Travesía Cuatro. From the beginning of her career, De la Cruz has been deeply engaged in exploring the nature of painting. What defines painting? What are its material limits? And, crucially, when does it cease to be painting and become something else?

Travesía Cuatro is pleased to announce the representation of Virginia Chihota (1983, Chitungwiza, Zimbabwe), in collaboration with Tiwani Contemporary. Her practice reflects on intimacy, faith, and the human figure, addressing themes such as pregnancy, parenting, kinship, marriage, grief, and spiritual questioning.

“Urbano’s work speaks to the need for each generation to reinvent the past and reimagine its ideals. Only in this way can the past be brought from the abstract world to the concrete one we touch and tread every day” says Javier Montes. Read the full article in Artforum. 

“[…] These are tough times, and everyone can relate to that, even if each person experiences it differently. For Kunath, it is that ability to hold in his paintings this sense of discomfort and vulnerability alongside pleasure and beauty. It gets at the heart of the human predicament”. Read the article in Artnews by Kate Brown.

Asunción Molinos Gordo is participating in the group exhibition Artes de la Tierra (Arts of the Earth), which offers a reinterpretation of the transformations that artistic practices have undergone in recent decades against the backdrop of an increasingly evident and overwhelming environmental crisis. The exhibition, which is being held at the Guggenheim Bilbao, will be open to the public from December 5, 2025, to May 3, 2026.

“So much of Solano’s prolific pictorial output has this type of psychological patina: many of the images she conjures on her large, unstretched canvases are derived from mass culture, but infused with her own subjectivity, or reflections of parts of herself.” Read the full article in ArtReview.