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Sara Ramo

Madrid, Spain. 1975
lindalocaviejabruja

2019. MNCARS (Museo Nacional Centro de Arte Reina Sofía), Program Fisuras. Madrid, Spain. Curated by Manuel Borja-Villel.

lindalocaviejabruja

2019. MNCARS (Museo Nacional Centro de Arte Reina Sofía), Program Fisuras. Madrid, Spain. Curated by Manuel Borja-Villel.

lindalocaviejabruja

2019. MNCARS (Museo Nacional Centro de Arte Reina Sofía), Program Fisuras. Madrid, Spain. Curated by Manuel Borja-Villel.

lindalocaviejabruja

2019. MNCARS (Museo Nacional Centro de Arte Reina Sofía), Program Fisuras. Madrid, Spain. Curated by Manuel Borja-Villel.

lindalocaviejabruja

2019. MNCARS (Museo Nacional Centro de Arte Reina Sofía), Program Fisuras. Madrid, Spain. Curated by Manuel Borja-Villel.

lindalocaviejabruja

2019. MNCARS (Museo Nacional Centro de Arte Reina Sofía), Program Fisuras. Madrid, Spain. Curated by Manuel Borja-Villel.

lindalocaviejabruja

2019. MNCARS (Museo Nacional Centro de Arte Reina Sofía), Program Fisuras. Madrid, Spain. Curated by Manuel Borja-Villel.

lindalocaviejabruja

2019. MNCARS (Museo Nacional Centro de Arte Reina Sofía), Program Fisuras. Madrid, Spain. Curated by Manuel Borja-Villel.

La caída y otras formas de vida

2019. Sala Alcalá 31, Madrid, Spain. Curated by Claudia Rodríguez-Ponga.

La caída y otras formas de vida

2019. Sala Alcalá 31, Madrid, Spain. Curated by Claudia Rodríguez-Ponga.

La caída y otras formas de vida

2019. Sala Alcalá 31, Madrid, Spain. Curated by Claudia Rodríguez-Ponga.

La caída y otras formas de vida

2019. Sala Alcalá 31, Madrid, Spain. Curated by Claudia Rodríguez-Ponga.

La caída y otras formas de vida

2019. Sala Alcalá 31, Madrid, Spain. Curated by Claudia Rodríguez-Ponga.

La caída y otras formas de vida

2019. Sala Alcalá 31, Madrid, Spain. Curated by Claudia Rodríguez-Ponga.

Cartas sobre la mesa

2019. La construcción de lo posible, XIII Bienal de la Habana, Cuba.

Cartas sobre la mesa

2019. La construcción de lo posible, XIII Bienal de la Habana, Cuba.

Cartas sobre la mesa

2019. La construcción de lo posible, XIII Bienal de la Habana, Cuba.

Cartas sobre la mesa

2019. La construcción de lo posible, XIII Bienal de la Habana, Cuba.

Para Marcela e as outras

2017. Capela do Morumbi, São Paulo, Brazil.

Para Marcela e as outras

2017. Capela do Morumbi, São Paulo, Brazil.

Para Marcela e as outras

2017. Capela do Morumbi, São Paulo, Brazil.

Para Marcela e as outras

2017. Capela do Morumbi, São Paulo, Brazil.

Para Marcela e as outras

2017. Capela do Morumbi, São Paulo, Brazil.

Para Marcela e as outras

2017. Capela do Morumbi, São Paulo, Brazil.

Punto ciego

2014. EAC (Espacio De Arte Contemporáneo), Montevideo, Uruguay.

Punto ciego

2014. EAC (Espacio De Arte Contemporáneo), Montevideo, Uruguay.

Punto ciego

2014. EAC (Espacio De Arte Contemporáneo), Montevideo, Uruguay.

Desvelo y traza

2014. Matadero Madrid (Centro de Creación Contemporánea), Spain. Curated by Manuela Villa.

Desvelo y traza

2014. Matadero Madrid (Centro de Creación Contemporánea), Spain. Curated by Manuela Villa.

Desvelo y traza

2014. Matadero Madrid (Centro de Creación Contemporánea), Spain. Curated by Manuela Villa.

Desvelo y traza

2014. Centre d´Art la Panera, Lleida, Spain.

Desvelo y traza

2014. Centre d´Art la Panera, Lleida, Spain.

The Garden from Free Zone

2013. XI Bienal de Sharjah, United Arab Emirates.

The Garden from Free Zone

2013. XI Bienal de Sharjah, United Arab Emirates.

The Garden from Free Zone

2013. XI Bienal de Sharjah, United Arab Emirates.

The Garden from Free Zone

2013. XI Bienal de Sharjah, United Arab Emirates.

The Garden from Free Zone

2013. XI Bienal de Sharjah, United Arab Emirates.

Armação do remoto ou deslembrança vertebrada (Treta de lo remoto o desrecuerdo vertebrado)

2013. IX Bienal do Mercosul, Porto Alegre, Brazil.

Armação do remoto ou deslembrança vertebrada (Treta de lo remoto o desrecuerdo vertebrado)

2013. IX Bienal do Mercosul, Porto Alegre, Brazil.

Armação do remoto ou deslembrança vertebrada (Treta de lo remoto o desrecuerdo vertebrado)

2013. IX Bienal do Mercosul, Porto Alegre, Brazil.

Fissura

2012. CA2M (Centro dos de Mayo), Madrid, Spain. Sin heroísmos, por favor (group show). Curated by Tania Pardo.

Fissura

2012. CA2M (Centro dos de Mayo), Madrid, Spain. Sin heroísmos, por favor (group show). Curated by Tania Pardo.

Fissura

2012. CA2M (Centro dos de Mayo), Madrid, Spain. Sin heroísmos, por favor (group show). Curated by Tania Pardo.

Penumbra

2012. Fundação Eva Klabin, Rio de Janeiro, Brazil.

O Jardim das coisas do Sotão (The garden of things from the attic)

2012. Museo de Arte da Pampulha, Belo Horizonte, Brazil.

O Jardim das coisas do Sotão (The garden of things from the attic)

2012. Museo de Arte da Pampulha, Belo Horizonte, Brazil.

O Jardim das coisas do Sotão (The garden of things from the attic)

2012. Museo de Arte da Pampulha, Belo Horizonte, Brazil.

A banda dos Sete

2010. HD digital video, color, sound. 20’35”.

Como aprender o que acontece na normalidade das coisas (Como aprender lo que ocurre en la normalidad de las cosas)

2002 / 2005. Fotography (dyptic). 50 x 75 cm (each).

Sara Ramo works directly with the elements that define immediate daily life in order to reconfigure them into strange and foreign presences. The alteration of the natural order of things is not a simple formal exercise, for the artist this represents the possibility to create new structures of sensitivity. Ramo participates in a vast heritage from a cultural tradition that has confronted the utilitarian and scientific perspective of the modern world; incorporating notions from mysticism, mythology and magic, the artist questions the relationship between human beings and objects that are only determined by utility. Fracturing this paradigm, new narrative possibilities emerge, involving spatial and temporal consequences.

Her recent exhibitions include: La Caída y otras formas de vida at Alcalá 31, Madrid, Spain, 2019; lindalocaviejabrujacurated by Manuel Borja-Villel, Programa Fisuras, Reina Sofía Museum, 2019; Cartas na Mesa, Galpão – Fortes d’Aloia & Gabriel, São Paulo, Brazil, 2018; Para Marcela e as outras, Capela do Morumbi, São Paulo, Brazil, 2017; Los Ayudantes, Travesía Cuatro, Madrid, Spain, 2016; A mão negativa, Parque Lage, Rio de Janeiro, Brazil, 2015; Punto Ciego, EAC – Espacio de Arte Contemporáneo, Montevideo, Uruguay, 2014; Desvelo y traza, Matadero, Madrid & Centre d’lArt la Panera, Lérida, Spain, 2014; Imagine Brazil, Astrup Fearnley Museet, Oslo, Norway, all in 2013. Planos de Fuga, Centro Cultural Banco do Brasil, São Paulo, Brazil; Sin Heroismos, por favor, CA2M (Centro Dos de Mayo), Madrid, Spain; Penumbra, Fundação Eva Klabin, Rio de Janeiro, Brazil, all three in 2012.

The artist’s work has been shown in international exhibitions such as the XIII Bienal de La Habana; 33rd Biennal of São Paulo, 2018; the Panorama da Arte Brasileira at MAM-Sao Paulo in 2011, Sharjah Biennal 11, Sharjah, United Arab Emirates and at the 2010 Sao Paulo Biennial; 9th Bienal do Mercosul, Porto Alegre, Brazil in 2013 and 2007; the Venice Biennale in 2009 and the 10th Anniversary of Inhotim, Belo Horizonte, Brazil.

Her work is part of international collections including: Fundación Botín, Madrid, Spain; Banco de España, Madrid, Spain; Pérez Art Museum of Miami, United States; Casa di Risparmio di Modena, Modena, Italy; Patrícia Phelps de Cisneros Collection, Miami, United States; Coleção Gilberto Chateaubriant – MAM – Museu de Arte Moderna do Rio de Janeiro, Rio de Janeiro, Brazil; Coleção Itaú Cultural, São Paulo, Brazil; FRAC, Paris, France; Inhotim, Brumadinho, Brazil; Margulies Collection, Miami, United States; Carlos Mariano Collection, Lima, Peru; Museu de Arte da Pampulha, Belo Horizonte, Brazil; Pinacoteca do Estado de São Paulo, São Paulo, Brazil.

Sara Ramo lives and works in São Paulo, Brazil.

 

 

Guided tour by Sara Ramo of her solo exhibition lindalocaviejabruja at Museo Nacional Centro de Arte Reina Sofía in 2019:

Los ayudantes.

2016. Travesía Cuatro. Madrid. Spain.

Los ayudantes.

2016. Travesía Cuatro. Madrid. Spain.

Los ayudantes.

2016. Travesía Cuatro. Madrid. Spain.

Parte de

2011. Photograph, collage, tape. 270×142 cm.

Parte de

2011. Photograph, collage, tape. 270×142 cm.

Contrato

2016. Newspaper strip (Financial Times) Collage. 60×90 cm (each). 130x86x20 cm

Matriz y la Perversión de la Forma (Variación I) (Casca V)

2016.
Dental stone and pigment.
2 pieces 40x58x40cm / 40x30x30cm.

Detail view Los Ayudantes

2016. Dental stone and pigment.

Los ayudantes.

2016. Travesía Cuatro. Madrid. Spain.

Calendar

2016. Collage. Calendars, post tape. 57×38 cm.

Embolar

2014. Collage. 88×63 cm.

Embolar

2014. Collage. 88×63 cm.